Intro
Acknowledgements
Summary
Discourses on Foreignness by Irish and Galician Women Writers: An Introduction
I. The Genres of Foreignness
I.1. Us & Them in Contemporary Irish and Galician Poetry
I.1.1. Mirror Conversations: Mary O'Donnell's Massacre of the Birds
I.1.2. "Sisters of a trillion parasites": Alba Cid's Atlas
I.1.3. Correspondences
I.2. Us & Them in Contemporary Irish and Galician Short Fiction
I.2.1. Englishness in Contemporary Irish Short Fiction
I.2.2. Nomadic Women in Galician Short Fiction
I.2.3. Correspondences

I.3. Us & Them in the Contemporary Irish and Galician Novel
I.3.1. "There is no 'us'": Evelyn Conlon's Not the Same Sky
I.3.2. Two Foreigners Speaking the Same Language: Eva Moreda's A Veiga é como un tempo distinto
I.3.3. Correspondences
I.4. Us & Them in Contemporary Irish and Galician Drama
I.4.1. Keeping the Barbarian at Bay: Lorna Shaughnessy's The Sacrificial Wind
I.4.2. "On that difference is life grounded": Luz Pozo Garza's Medea en Corinto
I.4.3 Correspondences
II. Glocal Identities in Translation

III. Mixing Memory and Desire: Women Writers' Emigration and Wanderlust
Mixing Memory and Desire APPENDIX I
Mixing Memory and Desire. APPENDIX II
References
Index