001480801 000__ 05036cam\\22005777i\4500 001480801 001__ 1480801 001480801 003__ OCoLC 001480801 005__ 20231031003309.0 001480801 006__ m\\\\\o\\d\\\\\\\\ 001480801 007__ cr\cn\nnnunnun 001480801 008__ 230914s2023\\\\sz\\\\\\ob\\\\001\0\eng\d 001480801 019__ $$a1397576537 001480801 020__ $$a9783031340512$$q(electronic bk.) 001480801 020__ $$a3031340515$$q(electronic bk.) 001480801 020__ $$z3031340507 001480801 020__ $$z9783031340505 001480801 0247_ $$a10.1007/978-3-031-34051-2$$2doi 001480801 035__ $$aSP(OCoLC)1396975372 001480801 040__ $$aYDX$$beng$$erda$$cYDX$$dOCLCO$$dN$T$$dGW5XE$$dYDX$$dUKMGB$$dEBLCP 001480801 049__ $$aISEA 001480801 050_4 $$aPR478.W65$$bA53 2023 001480801 08204 $$a820.9358403$$223/eng/20230926 001480801 1001_ $$aAnderson, Emily,$$eauthor. 001480801 24510 $$aHumour in British First World War literature :$$btaming the Great War /$$cEmily Anderson. 001480801 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2023] 001480801 300__ $$a1 online resource 001480801 336__ $$atext$$btxt$$2rdacontent 001480801 337__ $$acomputer$$bc$$2rdamedia 001480801 338__ $$aonline resource$$bcr$$2rdacarrier 001480801 504__ $$aIncludes bibliographical references and index. 001480801 5050_ $$aIntro -- Acknowledgements -- Contents -- List of Figures -- Chapter 1: Introduction: '[A]s in most war fiction, humour predominates' -- Defining Humour -- Humour in the Field of Great War Studies -- The Scope of Humour in British First World War Literature -- References -- Chapter 2: Humour and Britishness During the Great War: 'If a man brings us a joke, we require to be satisfied of its durability' -- The Roots of British Wartime Humour -- 'Jokes Should Be Taxed in England like Opium in China': The Britishness of Humour as a Minor Feeling -- The Boundaries of British Humour -- References 001480801 5058_ $$aChapter 3: The Domestication of Death: 'There are lots of jokes' -- 'What Did I Say About That Face?' Death Comes Home in A Well-Remembered Voice -- 'There Once Was a Man in a Trench': Death in Trench-Newspaper Limericks and Nursery Rhyme Parodies -- 'Let Us Be Our Ordinary Selves, Won't You?': Conclusions -- References -- Chapter 4: Class and Social Structure: 'It is not taken seriously' -- 'It's a Great Leveller This Army': Class, Revolution, Oblique Joking -- 'I've Only Learnt Things Like Greek and Latin and French and Spanish': Upper Class Women in War 001480801 5058_ $$a'It Turns Out to be No Bomb [...] Recommended for License': Conclusions -- References -- Chapter 5: War and the Depiction of Gender: 'Let us hope for the best and assume that he is dead' -- 'You'll Find Him Different': Wartime Masculinity and Male Relationships -- 'They Are Having the Time of Their Lives, Probably Being Quite Useful too': War and Roles for Women -- 'We Must All Do More: It Being War time and All That': Conclusions -- References -- Chapter 6: The War and the Domestic Sphere: 'That perpetual sense of the ridiculous' 001480801 506__ $$aAccess limited to authorized users. 001480801 520__ $$aThis book explores how humorous depictions of the Great War helped to familiarise, domesticate and tame the conflict. In contrast to the well-known First World War literature that focuses on extraordinary emotional disruption and the extremes of war, this study shows other writers used humour to create a gentle, mild amusement, drawing on familiar, popular genres and forms used before 1914. Emily Anderson argues that this humorous literature helped to transform the war into quotidian experience. Based on little-known primary material uncovered through detailed archival research, the book focuses on works that, while written by celebrated authors, tend not to be placed in the canon of Great War literature. Each chapter examines key examples of literary texts, ranging from short stories and poetry, to theatre and periodicals. In doing so, the book investigates the complex political and social significance of this tame style of humour. Emily Anderson is Associate Lecturer in the School of English Literature, Language and Linguistics at Newcastle University, UK. Her research interests are in humour and whimsy in British literature, focusing on the late nineteenth and early twentieth centuries. 001480801 588__ $$aDescription based on online resource; title from digital title page (viewed on September 28, 2023). 001480801 650_0 $$aEnglish literature$$xHistory and criticism.$$xHistory and criticism$$0(DLC)sh2007100761 001480801 650_0 $$aWorld War, 1914-1918$$xLiterature and the war.$$0(DLC)sh 85111865 001480801 650_0 $$aEnglish wit and humor$$xHistory and criticism.$$0(DLC)sh 85043984 001480801 650_0 $$aWorld War, 1914-1918$$xHumor.$$0(DLC)sh 85111865 001480801 655_0 $$aElectronic books. 001480801 77608 $$iPrint version:$$z9783031340512 001480801 77608 $$iPrint version:$$z3031340507$$z9783031340505$$w(OCoLC)1377611099 001480801 852__ $$bebk 001480801 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-34051-2$$zOnline Access$$91397441.1 001480801 909CO $$ooai:library.usi.edu:1480801$$pGLOBAL_SET 001480801 980__ $$aBIB 001480801 980__ $$aEBOOK 001480801 982__ $$aEbook 001480801 983__ $$aOnline 001480801 994__ $$a92$$bISE