Cover Page
Title Page
Copyright Page
Contents
Acknowledgments
Introduction
Part I: Class Structure and Resource Extraction
Hadestown and Other Myths for the Anthropocene: Company Towns and Proletarian Traditions in US Climate Fiction
Burnout: Cli-Fi and Exhaustion
Resource Utopia and Dystopia: Excavating Class in Afrofuturist Cli-Fi Film
Dreaming a Decolonized Climate: Indigenous Technologies and Relations of Class and Kinship in Cherie Dimaline's The Marrow Thieves
Part II: Class Differentiation and Climate Risk

Climate-Change Fiction and Poverty Studies: Kingsolver's Flight Behavior, Diaz's "Monstro," and Bacigalupi's "The Tamarisk Hunter"
Learning to Survive: Place-Based Education in Strange as This Weather Has Been and Parable of the Sower
Settler Apocalypses: Race, Class, and the Erasure of Indigenous Resilience in Alaskan Cli-Fi
Black: A Speculative Almanac for the End of the World
Part III: Class Privilege and Climate Anxiety
Class and Revolution in the Climate Fictions of Kim Stanley Robinson: Transition to Postcapitalism

Heartland of Darkness: Nostalgia and Class in the Climate Fiction of Paolo Bacigalupi
Whose Odds?: The Absence of Climate Justice in American Climate Fiction of the 2000s and 2010s
Cli-Fi and the Crisis of the Middle Class
Homelessness in Lauren Groff's Florida Fiction: Climate Change and Displacement
Epilogue: What Has Changed since Anthropocene Fictions?
Contributors
Index
Recent books in the series