001482054 000__ 03788nam\\2200577\i\4500
001482054 001__ 1482054
001482054 003__ DLC
001482054 005__ 20231116003203.0
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001482054 007__ cr\cn\nnnunnun
001482054 008__ 230621s2024\\\\nyua\\\\ob\\\\001\0\eng\d
001482054 010__ $$a  2023026606
001482054 020__ $$a9781003341192
001482054 020__ $$a1003341195
001482054 020__ $$a9781000998672
001482054 020__ $$a1000998673
001482054 020__ $$a9781000998719
001482054 020__ $$a1000998711
001482054 020__ $$z9781032376431
001482054 020__ $$z9781032376448
001482054 0247_ $$a10.4324/9781003341192$$2doi
001482054 040__ $$aNhCcYBP$$cNhCcYBP
001482054 042__ $$apcc
001482054 050_4 $$aN7289.N47$$bD48 2024
001482054 08200 $$a700.92$$223/eng/20230803
001482054 1001_ $$aDevine, Erin C.,$$eauthor.
001482054 24510 $$aTranslation and transgression in the art of Shirin Neshat /$$cErin C. Devine.
001482054 264_1 $$aNew York, NY :$$bRoutledge,$$c2024.
001482054 264_1 $$a"Precisely thirty years after the debut of her provocative photo-portraits, this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first twenty years, Neshat's work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women, and later video installations were accused of lacking political assertion during stormy relations between the West and the Islamic world. Now broadly recognized as a social justice artist, this volume chronicles Neshat's evolution from photography to film, from personal to political expression, and expands existing scholarship to investigate underserved contexts for her work, including the cinematic turn and emergent theories of globality in contemporary art. Neshat's hyphenated identity was often attenuated by reductive and exoticizing discourses; therefore, this volume draws attention to her transnational methodologies, informed by strategies of appropriation, performativity, and embodiment while articulating Persian visual and literary traditions. Complicating simplistic ethnographies, her disruption of neo-Orientalist paradigms and representations has led audiences to reconsider Islamophobia, Islamism, and gender repressions that are political, psychological, and above all cross-cultural. This book will be of interest to scholars working in art history, photography, cinema studies, performance, transnational and global studies, women's studies, and Iranian studies"--$$cProvided by publisher.
001482054 300__ $$a1 online resource (120 pages) :$$billustrations.
001482054 336__ $$atext$$btxt$$2rdacontent
001482054 337__ $$acomputer$$bc$$2rdamedia
001482054 338__ $$aonline resource$$bcr$$2rdacarrier
001482054 4901_ $$aRoutledge focus on art history and visual studies
001482054 500__ $$a"Routledge focus."
001482054 504__ $$aIncludes bibliographical references and index.
001482054 506__ $$aAccess limited to authorized users
001482054 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
001482054 588__ $$aDescription based on online resource; title from digital title page (viewed on October 09, 2023).
001482054 60010 $$aNeshat, Shirin,$$d1957-$$xCriticism and interpretation.
001482054 655_0 $$aElectronic books
001482054 7102_ $$aProQuest (Firm)
001482054 77608 $$iPrint version:$$aDevine, Erin C.$$tTranslation and transgression in the art of Shirin Neshat$$dNew York, NY : Routledge, 2024$$z9781032376431$$w(DLC)  2023026605
001482054 830_0 $$aRoutledge focus on art history and visual studies.
001482054 852__ $$bebk
001482054 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=30754000$$zOnline Access
001482054 909CO $$ooai:library.usi.edu:1482054$$pGLOBAL_SET
001482054 980__ $$aBIB
001482054 980__ $$aEBOOK
001482054 982__ $$aEbook
001482054 983__ $$aOnline