Intro
Contents
Acknowledgments
Spinozist Alterity and British Romanticism
I. Oneness and Otherness in Spinozism
II. Immanent Ethics
Section I Corporeals: Embodied Egos
Chapter 1 Blake's Mythical Interval
I. The Restless Interval
II. Mapping and Coloring the World
III. Illuminating Works
IV. Blake's Choric Void
Chapter 2 Coleridge's Wilding
I. Spinoza's Infinite Perceptions as Absolute Unity
II. Tarrying in the Middle Realm
III. Coleridge's Schelling's Spinoza and the Biographia Literaria
IV. Intuiting Alterity
V. Gender in Effect

Section II Corporeals: Embodied Difference
Chapter 3 Barbauld's Sisters: Immanent Bodies
I. Barbauld's Expression
II. Radcliffe's Rapture, Wollstonecraft's Breath
III. Dorothy Wordsworth's Immanence
IV. Perceptual Bodies
V. Entre Nous?
Section III Incorporeals: Dream Visions and Nightmares
Chapter 4 Percy Shelley's Immanent Language
I. Life Writ Large
II. Disfiguration or Distortion?
III. Shelley's Speed
IV. Folding and Rhythm
Chapter 5 De Quincey's Eventful Dreams
I. Altered States
II. Displacing Wandering
III. Wandering in Limbo

IV. The Afterlife
Coda: Restorative Otherness
Section IV Corporeal Bias: Bodies as Incorporeals
Epilogue Immanence and Racial Alterity
Notes
Works Cited
Index