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Table of Contents
List of Contributors Acknowledgements Preface Introduction
Feminist Refractions of the Posthuman Julia A. Empey(University of Cambridge, UK) and Russell J. A. Kilbourn (Wilfrid Laurier University, Canada) Part One: Posthuman Bodies and Identities 1. Indigenous Futurist and Women-Centred Dystopian Film Missy Molloy (Victoria University of Wellington, Aotearoa New Zealand) 2. Gender, Sex, and Feminist AI: 13 Theses on Her Sarah Stulz (Independent Scholar, Switzerland) 3. Her: A Posthuman Love Story Zorianna Zurba (Toronto Metropolitan University, Canada) 4. Posthuman Mothers and Reproductive Biovalue in Blade Runner: 2049 and Jurassic World: Fallen Kingdom Jerika Sanderson (University of Waterloo, Canada) 5. Desirable and Undesirable Cyborg Bodies in the Mass Effect Video Game Series Sarah Stang (Brock University, Canada) Part Two: Posthuman Environments and Entanglements 6. Material Entanglements and Posthuman Female Subjectivity in Annihilation Evdokia Stefanopoulou (Aristotle University of Thessaloniki, Greece) 7. Jonathan Glazer's Under the Skin: Female Embodiment and Ecology Meraj Dhir (Harvard University, USA) 8. Living in Colour: Feminist and Posthumanist Ontology in Upstream Color Emily Sanders(Queen's University, Canada) 9. Ascendance to Trans-Corporeality or Assimilation to Whiteness: The Posthuman Imaginaries of Annihilation and Midsommar Olivia Stowell (University of Michigan, USA) Part Three: Posthumanist Endings and Futures 10. Digital Ecologies: Posthuman Convergences in Abzû and Horizon: Zero Dawn Sarah Best (Wilfrid Laurier University, Canada) 11. From Rogue Planets to Black Holes: Revaluing Death in Melancholia and High Life Julia A. Empey(University of Cambridge, UK) 12. 'Originary Twoness': Flashbacks and the Materiality of Memory in Annihilation, High Life, and Arrival Russell J. A. Kilbourn (Wilfrid Laurier University, Canada) 13. Coming to Terms with Our Own Ends: Failed Reproduction and the End of the Hu/man in Claire Denis' High Life and Pella Kågerman and Hugo Lija's Aniara Elif Sendur (Rutgers University, USA) and Allison Mackey (Universidad de la República, Uruguay) References Index
Feminist Refractions of the Posthuman Julia A. Empey(University of Cambridge, UK) and Russell J. A. Kilbourn (Wilfrid Laurier University, Canada) Part One: Posthuman Bodies and Identities 1. Indigenous Futurist and Women-Centred Dystopian Film Missy Molloy (Victoria University of Wellington, Aotearoa New Zealand) 2. Gender, Sex, and Feminist AI: 13 Theses on Her Sarah Stulz (Independent Scholar, Switzerland) 3. Her: A Posthuman Love Story Zorianna Zurba (Toronto Metropolitan University, Canada) 4. Posthuman Mothers and Reproductive Biovalue in Blade Runner: 2049 and Jurassic World: Fallen Kingdom Jerika Sanderson (University of Waterloo, Canada) 5. Desirable and Undesirable Cyborg Bodies in the Mass Effect Video Game Series Sarah Stang (Brock University, Canada) Part Two: Posthuman Environments and Entanglements 6. Material Entanglements and Posthuman Female Subjectivity in Annihilation Evdokia Stefanopoulou (Aristotle University of Thessaloniki, Greece) 7. Jonathan Glazer's Under the Skin: Female Embodiment and Ecology Meraj Dhir (Harvard University, USA) 8. Living in Colour: Feminist and Posthumanist Ontology in Upstream Color Emily Sanders(Queen's University, Canada) 9. Ascendance to Trans-Corporeality or Assimilation to Whiteness: The Posthuman Imaginaries of Annihilation and Midsommar Olivia Stowell (University of Michigan, USA) Part Three: Posthumanist Endings and Futures 10. Digital Ecologies: Posthuman Convergences in Abzû and Horizon: Zero Dawn Sarah Best (Wilfrid Laurier University, Canada) 11. From Rogue Planets to Black Holes: Revaluing Death in Melancholia and High Life Julia A. Empey(University of Cambridge, UK) 12. 'Originary Twoness': Flashbacks and the Materiality of Memory in Annihilation, High Life, and Arrival Russell J. A. Kilbourn (Wilfrid Laurier University, Canada) 13. Coming to Terms with Our Own Ends: Failed Reproduction and the End of the Hu/man in Claire Denis' High Life and Pella Kågerman and Hugo Lija's Aniara Elif Sendur (Rutgers University, USA) and Allison Mackey (Universidad de la República, Uruguay) References Index