Film festivals and the enrichment economy : cultural value chains in a digital media age / Ann Vogel, Alan Shipman.
Vogel, Ann (Research promotion manager), author.; Shipman, Alan, 1966- author.
2023
PN1993.4 .V64 2023
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Title
Film festivals and the enrichment economy : cultural value chains in a digital media age / Ann Vogel, Alan Shipman.
Author
Vogel, Ann (Research promotion manager), author.
ISBN
9783031335013 electronic book
3031335015 electronic book
3031335007
9783031335006
DOI
https://doi.org/10.1007/978-3-031-33501-3
Published
Cham : Palgrave Macmillan, 2023.
Language
English
Description
1 online resource
Item Number
10.1007/978-3-031-33501-3 doi
Call Number
PN1993.4 .V64 2023
Dewey Decimal Classification
791.43074
Summary
Responding to a question of immense interdisciplinary interest, this book investigates the construction of value in the curation of film festivals and production of cultural events undertaken by nonprofit arts organizations around the world. Combining their expertise in economics and sociology, the authors outline a theoretically and methodologically cohesive approach that puts the valuation of cinema right into the middle of global value chain research. It challenges the ways in which the interdisciplinary pursuit of cultural economics has approached cultural value, presenting a thorough analytic inquiry into who produces the value and who seeks rent in the value chain. While offering a fresh approach to cinema and media economics, the book highlights the significant way of nonprofit actor incorporation into value chains and value networks. Ann Vogel is a sociologist who received her Ph.D. from the University of Washington, USA, and a science-management degree from the German University of Administrative Sciences Speyer, Germany. Her most recent work is Cinema and the Festivalization of Capitalism: The Experience-Makers (2023). In her current position she advances research in police and administrative sciences. Alan Shipman is a Senior Lecturer in Economics. He studied Economics at the University of Cambridge, UK, and the University of Oxford, UK, working at the National Institute of Economic and Social Research and as a financial analyst and business journalist before joining the Open University, UK. His most recent monograph is Wynne Godley: A Biography (Palgrave Macmillan, 2019).
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users.
Source of Description
Description based on online resource; title from digital title page (viewed on November 06, 2023).
Added Author
Shipman, Alan, 1966- author.
Available in Other Form
ebook version : 9783031335013
Print version: 9783031335006
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Intro
Preface
References
Contents
List of Tables
Chapter 1: Introduction
Economic and Cultural Value
Enrichment via Immersive Events
Nonprofits: Putting Value into Chains with Festivals
Chain Integration: New Ideas for Cultural Value Chains
Artistic Rent: Exploiting Creativity
Outline of Chapters
Bibliography
Chapter 2: Research Fundamentals of Global Value Chain Analysis
Basic Elements of the Research Approach
Key Concepts for Cultural Value Chains
Chain Integrator
Governance
Power
Dyads: Bargaining and Demonstrative Power

Beyond Dyads: Institutional and Constitutive Power
Quality Conventions: Valuation Sociology for GVC Analysis
Rent and Value
Conclusion
Bibliography
Chapter 3: Introducing the Special Dynamics of the Culture Value Chain
The Smile Curve and the Scowl Curve
Cultural Value Chains: Deviating from Standard Form
(Re-)defining Cultural Products
Creative Art
Cultural Performance
Stock of Capital and Flow of Product
The Scowl Curve: Concluding Remarks
Bibliography
Chapter 4: Enrichment Economy
Media in CVCs
Enrichment and Value Determination

Enrichment and the Economic Process
Asset Form and Standard Form
Collection Form
How Asset and Collection Forms Inter-relate
Trend Form
Conclusion: Value Chain Analysis for the Enrichment Economy
Bibliography
Chapter 5: Source of Cultural Value-Added: Eventization
When Consumption Becomes Investment: Enter Events
Performativity
Impact Studies
Film Festivals
Networks and Hierarchization
Value Networks
Audience-Side Networking
Conclusion
Bibliography
Chapter 6: Rents and Redistribution in the Cultural Value Chain
Artistic Rent

Private, Public, and 'Club' Elements in Cultural Production
The Artistic Rent as a 'Social Rent'
Exogenous Rents in the Global Media Value Chain
Cultural Clusters
Networks
Arts Brokering and Management as Exogenous Rent
Summary
Bibliography
Chapter 7: Artistic Value, Ricardian Rent, and Power
Cultural Value Capture
Growth of Cultural Stocks and Intangible Assets
Balancing Value-Capture and Value-Chain Sustainability
Chain Integrator
Events as Chain Integration Sites: A Research Proposition
Festival Fragility Hypothesis

A Broker's Solution: Organizational Grafting
Buzz: 'Performing Art' in Global Media Value Chain
Cultural Measurement
Emergent Dynamics of Socially Constructed Valuation
Conclusion
Bibliography
Chapter 8: Conclusion and Future Research Direction
Bibliography
Bibliography
Index

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