Palgrave handbook of music in comedy cinema [electronic resource] / Emilio Audissino, Emile Wennekes, editors.
Audissino, Emilio.; Wennekes, Emile.
2023
ML2075 .P35 2023
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Title Palgrave handbook of music in comedy cinema [electronic resource] / Emilio Audissino, Emile Wennekes, editors.
ISBN 9783031334221 (electronic bk.)
3031334221 (electronic bk.)
3031334213
9783031334214
DOI https://doi.org/10.1007/978-3-031-33422-1
Publication Details Cham : Palgrave Macmillan, 2023.
Language English
Description 1 online resource
Item Number 10.1007/978-3-031-33422-1 doi
Call Number ML2075 .P35 2023
Dewey Decimal Classification 781.542
Summary Whats been missing from the literature on film music a sustained study of music in the genre of film comedy has now been supplied by Emilio Audissino and Emile Wennekes in a masterful and inclusive anthology devoted to how music makes us laugh. Audissino and Wennekes have taken an interdisciplinary, multidisciplinary, and multinational approach that informs the individual contributions all of which take funny music very seriously. Sure to be the standard reference in the field. - Kathryn Kalinak, Professor of Film Studies, Rhode Island College, US This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives. Its approach is not only multidisciplinary, but also interdisciplinary in its close examination of how music and other cinematic devices interact in the creation of comedy. The volume addresses gender representation, national identities, stylistic strategies, and employs inputs from cultural studies, musicology, music theory, psychology, cognitivism, semiotics, formal and stylistic film analysis, and psychoanalysis. It is organised in four sections: general introductions, theoretical investigations, music and comedy within national cinemas, and exemplary case studies of films or authors. Emilio Audissino is Associate Professor at Linnaeus University, Sweden. His research interests are film and television history; audio-visual style and techniques; screenwriting; neo formalist film analysis; comedy; horror; and sound and music in media. Notably, he is the author of The Film Music of John Williams. Reviving Hollywood's Classical Style (2021/2014) and of Film/Music Analysis. A Film Studies Approach (2017). Emile Wennekes is Chair Professor of Musicology: Music and Media at Utrecht University, The Netherlands. He is the author of multiple books and edited volumes, as well as some hundred scholarly book chapters, articles, and conference presentations. Among his most recent publications are two co-edited books entitled Advances in Speech and Music Technology (2021; 2023 with a.o. Anupam Biswas). Wennekes chairs the Study Group Music and Media (MaM) of the International Musicological Society. Previously, Audissino and Wennekes edited the volume Cinema Changes: Incorporation of Jazz in the Film Soundtrack (2019).
Note Includes index.
Access Note Access limited to authorized users.
Source of Description Description based on print version record.
Added Author Audissino, Emilio.
Wennekes, Emile.
Available in Other Form Print version: 9783031334221
Print version: 9783031334214
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1. From Dionysia to Hollywood: An Introduction to Comedys Long (and Bumpy) Road
2. Humorous Techniques in Comedic Narratives
3. Scoring Laughs: A Meditation on Music and Mirth
4. Audiovisual Parallelism and Counterpoint as Strategies of Musical Humour
5. The Audiovisual Architecture of Musical Pauses, Punchlines, and Jablines: Paddingtons Punctuation
6. The Self-Aware Soundtrack: Film Music as a Metaleptic Device in Comedy Film
7. Shes a babe SCHWING!: Feminine Spectacle and Parody in Comedy Film Scoring
8. Pop-Rock Authenticity, Intertextuality, and Humour in the Films of Adam McKay and Will Ferrell
9. The Man for His Time and Place. Identity, Musical Comedy, and the Compiled Soundtrack in The Big Lebowski
10. Mozart in the Kitchen. Musical Reference and the Crisis of Action in Last Action Hero
11. The Music Shouldnt Acknowledge Any of the Jokes. Audiovisual Incongruence and the Functions of Music in Contemporary Dark Comedy Films
12.Seriously Funny Music: The Use of Serious Music for Comedic Effect
13. DJ, Interrupted: Delivering Punchlines with a Record Scratch
14. On Being In the Know: When Classical Music Gets Played for Laughs
15. Carry On Regardless: The Musical Humour of Eric Rogers
16. Musical-Comedic Stereotypes and Cinema. A Case Study of Irish-themed Features, 1946-1952
17. The Paladin of Italian Comedy. Tot and Music
18. Mocking Sound: Das Kabinett des Dr. Larifari (1930) as a Parody of Early German Sound Film
19. Hubert, you are sooo French!: Musical Pastiche and Parody in Michel Hazanavicius Espionage Comedy Films OSS 117 (2006, 2009)
20. From Imperio to Lola: Mapping Comedy in the Tradition of Spanish Folkloric Musicals (1930-1960)
21. We Can Sing and Laugh Like Children: Music as Comedy in the Film Musicals of Grigorij Aleksandrov and Isaak Dunaevskij
22. Playing with Borders. Film Music and Social Criticism in Swedish Comedies by Hasse and Tage
23. Harassing Hogwash Scored with Happy Hardcore: The Ruthless Humour of the Dutch New Kids Films
24. On and Beyond Mickey-Mousing: Revisiting Yuan Muzhis Scenes of City Life (1935)
25. Overview of Music in Nollywood Comedy Cinema
26. Comedy and Parody in the Songs of the Hindi Cinema
27. Parody, Commentary, Subversion: Music in Japanese Comedy Cinema
28. Music for Tricksters and Music as Trickster in the Classical Hollywood Score
29. The Jokes on You: Puns and Punchlines in the Music of the Marx Brothers
30. 'Valse Elegante: The Comedic Film Music of Charlie Chaplin
31. Jacques Tati and the Musical Construction of the Comedic
32. Music for Low Comedy and High Romance: Malcolm Arnolds Score for Hobsons Choice (David Lean, 1954)
33. The New King of Comedy: Theodore Shapiro and the New Millennial Comedy Score
34. Cut it Out, Cricket: Affective Management through Diegetic Music and Song in Howard Hawkss Comedies and Comic Dramas
35. Music, Satire, and Smutna Comedy in the Zbigniew Preisner-Krzysztof Kielowski Collaborations
36. Louis de Funs as Gendarme: Comic Incongruity and Self-Reflexive Music in the Golden Age of French Comedies (196480)
37. Songs and Scores in the Films of Mel Brooks: The Collaboration with John Morris
38. Taking Mancinis Comedy Scores Seriously
39. Ennio Morricones Music for La Cage aux folles (1978)
40. Irony, Comic, and Humour. The Comedic Sides of John Williams
41. Jocular Juxtapositions, Parody, and Ludicrous Lyrics. Music in Monty Pythons Comedy Films
42. Music and Comedy in the Films of Woody Allen.

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