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Introduction: The limits of autobiography
Represent yourself
Bastard testimony : illegitimacy and incest in Dorothy Allison's Bastard out of Carolina
There will always be a father : transference and the auto/biographical demand in Mikal Gilmore's Shot in the heart
There will always be a mother : Jamaica Kincaid's serial autobiography
Without names : an anatomy of absence in Jeanette Winterson's Written on the body
Conclusion: The knowing subject and an alternative jurisprudence of trauma.

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