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Table of Contents
Machine generated contents note: Introduction / Steven Justice and Christopher Cannon
The Sounds and Matter of Women in Ancient Greek Epigrams / Sarah Nooter
Reading Impressions: The Sound of the Sight of Occitan Verse / Sarah Kay
Voices and Bees: The Evolution of Charles Butler's Sounded Book / Jennifer Richards
Lone Halflines and Metrical Collage in Piers Plowman / Ian Cornelius
Latin Verse in Old English Accents / Emily Thornbury
The Writing of Sound / Meredith Martin
Music Writing and Music History in a Thirteenth-Century Song / Sean Curran
"Where the sì sounds": Dante's Dissonant Vernaculars and Their Sensual Signs / Alison Cornish
The Phenomenology of -e / Christopher Cannon
Writing Reading Rhythm / Christopher Hasty.
The Sounds and Matter of Women in Ancient Greek Epigrams / Sarah Nooter
Reading Impressions: The Sound of the Sight of Occitan Verse / Sarah Kay
Voices and Bees: The Evolution of Charles Butler's Sounded Book / Jennifer Richards
Lone Halflines and Metrical Collage in Piers Plowman / Ian Cornelius
Latin Verse in Old English Accents / Emily Thornbury
The Writing of Sound / Meredith Martin
Music Writing and Music History in a Thirteenth-Century Song / Sean Curran
"Where the sì sounds": Dante's Dissonant Vernaculars and Their Sensual Signs / Alison Cornish
The Phenomenology of -e / Christopher Cannon
Writing Reading Rhythm / Christopher Hasty.