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001483800 020__ $$a9781839023200
001483800 020__ $$a1839023201
001483800 020__ $$a9781839023187
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001483800 020__ $$a9781839023194
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001483800 020__ $$z9781839023163
001483800 020__ $$z9781839023170
001483800 020__ $$z1839023163
001483800 0247_ $$a10.5040/9781839023200$$2doi
001483800 040__ $$aNhCcYBP$$cNhCcYBP
001483800 050_4 $$aPN1995$$b.D94 2023
001483800 08204 $$a791.43/75$$223/eng/20230926
001483800 1001_ $$aDyer, Richard,$$d1945-$$eauthor,$$einterviewee.
001483800 24514 $$aThe Richard Dyer reader /$$cedited by Glyn Davis and Jaap Kooijman.
001483800 264_1 $$aLondon ;$$aNew York, NY :$$bBloomsbury, on behalf of the British Film Institute,$$c2023.
001483800 300__ $$a1 online resource () :$$billustrations
001483800 336__ $$atext$$btxt$$2rdacontent
001483800 337__ $$acomputer$$bc$$2rdamedia
001483800 338__ $$aonline resource$$bcr$$2rdacarrier
001483800 347__ $$atext file$$bHTML$$2rdaft
001483800 504__ $$aIncludes bibliographical references and index.
001483800 5050_ $$aA Star is Born and the Construction of Authenticity' (in Christine Gledhill, ed., Star Signs, BFI, 1982) Additional materials: the essays 'The meaning of Tom Jones' (CCCS working paper, 1971), 'Diana Ross' (Marxism Today, 1982), 'Paul Robeson: Militant Humanism' (Marxism Today, 1983), 'Never too thin' (Sight and Sound, 1993), 'Charles Hawtrey: carrying on regardless' (Attitude, 1994), 'Between Parturition and Manufacture' (Los Angeles Review of Books, 2018) IN DEFENCE OF DISCO and other essays on entertainment and ideology Key essay: 'In defence of disco' (Gay Left, 1979) Additional materials: the essays 'Coronation Street' (introduction to Dyer, ed., Coronation Street, BFI, 1981), 'Taking popular television seriously' (in David Lusted and Phillip Drummond, eds., TV and Schooling, BFI, 1985), 'Brief Affairs' (New Statesman and Society, 1989), 'The colour of entertainment' (Sight and Sound, 1995), 'The space of happiness in the musical' (Aura, 1998); 'Jurassic World and Procreation Anxiety' (Film Quarterly, 2015) GETTING OVER THE RAINBOW and other essays on gay liberation Key essay: 'Getting over the rainbow: identity and pleasure in gay cultural politics' (in George Bridges and Rosalind Brunt, eds., Silver Linings, Lawrence and Wishart, 1981) Additional materials: the essays 'Gays and Class' (Gay Left, 1976), 'It's being so camp as keeps us going' (Playguy, 1976), 'Pasolini and homosexuality' (in Paul Willemen, ed., Pier Paolo Pasolini, BFI, 1977), 'Vito Russo, The Celluloid Closet: Homosexuality in the Movies' (book review, Studies in Visual Communication, 1983), 'Believing in fairies: the author and the homosexual' (in Diana Fuss, ed., Inside/Out: Lesbian Theories, Gay Theories, Routledge, 1991), 'Coming out as going in: the image of the homosexual as a sad young man' (from The Matter of Images: Essays on Representation, Routledge, 1993), 'Nice young men who sell antiques: gay men in heritage cinema' (in Ginette Vincendeau, ed., Film/Literature/Heritage, BFI, 2001), 'Eisenstein's penis' (newly commissioned, 2021) WHITE and other essays on representation and visibility Key essay: 'White' (Screen, 1988) Additional materials: the essays 'The role of stereotypes' (in Jim Cook and Mike Lewington, eds., Images of Alcoholism, BFI, 1979), 'Don't look now: the instabilities of the male pin-up' (Screen, 1982), 'Rock: the last guy you'd have figured?' (The Body Politic, 1985), 'Heterosexuality' (in Andy Medhurst and Sally Munt, eds., Lesbian and Gay Studies, Cassell, 1997), 'Is the camera racist?' (The Guardian, 1997), 'White enough' (in Yannis Tzioumakis and Sian Lincoln, eds., The Time of Our Lives: Dirty Dancing and Popular Culture, Wayne State University Press, 2013), 'The President's Hair' (The Platform, 2018) IT'S IN HIS KISS and other essays on pleasure and disgust Key essay: 'It's in his kiss!: vampirism as homosexuality, homosexuality as vampirism' (in Susannah Radstone, ed., Sweet Dreams: Sexuality, Gender and Popular Fiction, Lawrence and Wishart, 1988) Additional materials: the essays 'Coming to terms: gay pornography' (Jump Cut, 1985), 'Dracula and desire' (Sight and Sound, 1993), 'Idol thoughts: orgasm and self-reflexivity in gay pornography' (Critical Quarterly, 1994); extracts from Lethal Repetition: Serial Killing in European Cinema (BFI, 2015) THE PERSISTENCE OF TEXTUAL ANALYSIS and other essays on form and meaning Key essay: 'The persistence of textual analysis' (newly commissioned, 2021) Additional materials: the essays 'The television situation' (in the BFI pamphlet Light Entertainment, 1973), 'Action!' (Sight and Sound, 1994), 'Going Italian' (The Italianist, 2011), 'The Sissiness of Music in Rope and Tea and Sympathy' (newly commissioned, 2021); extracts from BFI Classics on Seven (1999) and La Dolce Vita (2017), Pastiche (Routledge, 2006), and Nino Rota (BFI, 2010) These six sections are supplemented by a seventh section of interviews with Dyer conducted across the span of his career: MASCULINITY IS SO BORING and other interviews with Richard Dyer Key interview: 'Masculinity is so boring', interview by Joe McElhaney published in Three or Four Things (1985) Additional interviews: 'To Be Reel', interview by Matthew Rettenmund published in adult gay magazine Torso (1996); SCMS Fieldnotes interview by Barbara Klinger (2015); 'Pleasure/Obvious/Queer', NECSUS interview by Catherine Grant and Jaap Kooijman (2016) This section also includes a new interview with Dyer by Davis and Kooijman, which focuses in particular on the 1970s and Dyer's involvement with gay liberation politics. Conclusion Bibliography Index
001483800 506__ $$aAccess limited to authorized users
001483800 5320_ $$aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
001483800 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
001483800 588__ $$aDescription based on online resource; title from digital title page (viewed on September 26, 2023).
001483800 60010 $$aDyer, Richard,$$d1945-
001483800 650_0 $$aMotion pictures.$$0(DLC)sh 85088126
001483800 650_0 $$aFame.$$xSocial aspects$$0(DLC)sh2008007578
001483800 650_0 $$aPopular culture.
001483800 650_0 $$aTelevision.
001483800 650_0 $$aGay liberation movement.$$zUnited States$$xHistory$$0(DLC)sh2008117806
001483800 650_0 $$aWhite people$$xRace identity.
001483800 650_0 $$aHuman body in mass media.$$0(DLC)sh2003000612
001483800 650_0 $$aMotion pictures$$xEvaluation.$$0(DLC)sh 85088126
001483800 655_0 $$aElectronic books
001483800 7001_ $$aDavis, Glyn,$$eeditor.$$c(Reader in Screen Studies)$$0(OCoLC)oca06329476
001483800 7001_ $$aKooijman, Jaap,$$eeditor.
001483800 7102_ $$aProQuest (Firm)
001483800 77608 $$iPrint version:$$z1839023163$$z9781839023163
001483800 852__ $$bebk
001483800 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=7273736$$zOnline Access
001483800 909CO $$ooai:library.usi.edu:1483800$$pGLOBAL_SET
001483800 980__ $$aBIB
001483800 980__ $$aEBOOK
001483800 982__ $$aEbook
001483800 983__ $$aOnline