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001483879 001__ 1483879
001483879 003__ OCoLC
001483879 005__ 20240111003230.0
001483879 008__ 200303t20202020wiu\\\\\\\\\\\000\p\eng\\
001483879 010__ $$a2020010786
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001483879 035__ $$a(OCoLC)1143838553
001483879 040__ $$aWU/DLC$$beng$$erda$$cDLC$$dOCLCO$$dYDX$$dOCLCF$$dBDX$$dYDX$$dGZM$$dYUS$$dPAU$$dDPL$$dOCL$$dOCLCO$$dLCY$$dISE
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001483879 05000 $$aPS3607.O4876$$bF73 2020
001483879 08200 $$a811/.6$$223
001483879 1001_ $$aGómez, Carlos Andrés,$$d1981-$$eauthor.
001483879 24510 $$aFractures /$$cCarlos Andrés Gómez.
001483879 264_1 $$aMadison, Wisconsin :$$bThe University of Wisconsin Press,$$c[2020]
001483879 264_4 $$c©2020
001483879 300__ $$a89 pages ;$$c23 cm.
001483879 336__ $$atext$$btxt$$2rdacontent
001483879 337__ $$aunmediated$$bn$$2rdamedia
001483879 338__ $$avolume$$bnc$$2rdacarrier
001483879 4901_ $$aWisconsin poetry series
001483879 50500 $$aMachine generated contents note:$$gI.$$tPoem About Death Ending With Reincarnation --$$tMurambi --$$tUnderground --$$tBlack Hair --$$tInterracial in Flatbush, Brooklyn --$$tNative Tongue --$$tCool --$$tChanging My Name --$$tPronounced --$$gII.$$tLast Sundays At Boodeggers --$$tKigali Memorial --$$tElegy for the Longest Year --$$tWhen Two Words Fracture the Mirror --$$tThe Afternoon You Moved Out --$$tC(h)ord --$$tAt the playground, on the bus, everywhere --$$tHand-Stitch --$$tEdge of the Dance Floor --$$gIII.$$tAbecedarian For The Pimp I Almost Took A Bullet For --$$tAfter the cab driver asks me -- How you like Black pussy? --$$tEighteen Images around the Text Message to Your Mother --$$tThieves in the Temple --$$tA Blessing for the Internet Troll --$$tRevisionist --$$tInertia --$$tWhen Our Black Son Arrives --$$tWhat Happened --$$gIV.$$tMein Kampf Has Better Reviews Than One Hundred Years Of Solitude --$$tBefore the Last Shot --$$tAbove the Speed Limit --$$tRace was not a factor --$$tThere Were Two Unanswered Voice Mails from You --$$tFather --$$tPraise --$$tMorning, Rikers Island.
001483879 520__ $$aIn his landmark debut, Carlos AndrÉs GÓmez interrogates race, gender, sexuality, and violence to explore some of the most pressing issues of our time. These poems address the complexities and nuances of toxic masculinity, assimilation, homophobia, and the joy and anguish of trying to raise Black children in America. GÓmez casts an uncompromising eye toward both brutality and tenderness, going where we are most uncomfortable and lingering in moments of introspection that reveal fear, grief, or hatred. Birthed at a breaking point, these poems carve open silence, revealing fissures that welcome the light. Unflinching, poignant, and powerful, Fractures is both a gut punch and a balm.
001483879 586__ $$aFelix Pollak Prize in Poetry
001483879 586__ $$aGeorgia Author of the Year
001483879 586__ $$aIndependent Publisher Book Awards
001483879 586__ $$aMidwest Book Award Winner
001483879 648_7 $$a2000-2099$$2fast
001483879 650_0 $$aAmerican poetry$$y21st century.
001483879 650_7 $$aAmerican poetry$$2fast$$0(OCoLC)fst00807348
001483879 655_2 $$aPoetry$$0(DNLM)D055821
001483879 655_7 $$apoetry.$$2aat$$0(CStmoGRI)aatgf300055931
001483879 655_7 $$aPoetry$$2fast$$0(OCoLC)fst01423828
001483879 655_7 $$aPoetry.$$2lcgft
001483879 655_7 $$aPoésie.$$2rvmgf$$0(CaQQLa)RVMGF-000000476
001483879 830_0 $$aWisconsin poetry series.
001483879 852__ $$bmcc
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