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Table of Contents
Chapter 1 Quo Vadis Classical Music? Remarks on the Post-Pandemic Condition
Chapter 2 Opera (Training (Research)) During Lockdown
Chapter 3 The pandemic as a peephole into the ongoing digital transformation of opera. Insights from an expert interview study with the management of Berlins three opera houses
Chapter 4 The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication
Chapter 5 Streaming Opera: Compromise Solution or Future-Oriented Reception Form?
Chapter 6 Digital Concert Experience An online research project on live streaming during the pandemic
Chapter 7 Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams
Chapter 8 Combining two different worlds. A post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz.
Chapter 2 Opera (Training (Research)) During Lockdown
Chapter 3 The pandemic as a peephole into the ongoing digital transformation of opera. Insights from an expert interview study with the management of Berlins three opera houses
Chapter 4 The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication
Chapter 5 Streaming Opera: Compromise Solution or Future-Oriented Reception Form?
Chapter 6 Digital Concert Experience An online research project on live streaming during the pandemic
Chapter 7 Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams
Chapter 8 Combining two different worlds. A post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz.