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001484249 001__ 1484249
001484249 003__ OCoLC
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001484249 019__ $$a1410592507
001484249 020__ $$a9783031284939$$q(electronic bk.)
001484249 020__ $$a9783031284939$$qelectronic book
001484249 020__ $$a3031284933$$qelectronic book
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001484249 020__ $$z9783031284922
001484249 0247_ $$a10.1007/978-3-031-28493-9$$2doi
001484249 035__ $$aSP(OCoLC)1410494290
001484249 040__ $$aYDX$$beng$$erda$$cYDX$$dOCLCO$$dGW5XE$$dYDX$$dOCLCO$$dEBLCP$$dHTM$$dN$T
001484249 043__ $$ae-uk---
001484249 049__ $$aISEA
001484249 050_4 $$aN72.H58$$bE58 2023
001484249 08204 $$a709$$223/eng/20231220
001484249 1001_ $$aElstob, Isobel.
001484249 24510 $$aReimag(in)ing the Victorians in contemporary art :$$bBritain and beyond /$$cIsobel Elstob.
001484249 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2023]
001484249 300__ $$a1 online resource
001484249 336__ $$atext$$btxt$$2rdacontent
001484249 337__ $$acomputer$$bc$$2rdamedia
001484249 338__ $$aonline resource$$bcr$$2rdacarrier
001484249 500__ $$aIncludes index.
001484249 504__ $$aIncludes bibliographical references and index.
001484249 5050_ $$aIntro -- Acknowledgements -- Contents -- List of Figures -- Chapter 1: Introduction: Visualizing the Victorians -- Chapter 2: Seeing Is (Not) Believing: Photography, Magic Lanterns and Virtual Realities -- The Frenzy of the Visible -- The Rematerialization of Imagery -- Sally Mann: The Angel of Uncertainty -- The Narcissistic Gaze -- The Auratic Object -- The Image Surface -- That-Has-Been -- Who Wants to Talk About Slavery? -- That-Has-Been-Long-Ago -- Ambiguity and Materiality -- Mat Collishaw: Projections of the Past -- The Magic Lantern -- Pepper's Ghost -- Panoramic Phantasmagoria
001484249 5058_ $$aThe Panoptical Dungeon -- Raising Ghosts -- Stereoscopic Immersion -- Echoes of the Past -- Invocation as Method -- Stimulating Views -- Conclusion -- Chapter 3: The Animal Body Remade: Bones, Feathers, Furs and Fairies -- A Labouring Aesthetic -- Contemporary Taxidermy -- Kate MccGwire and Alastair Mackie: Reclaiming Nature -- Polly Morgan: Sculpting the 'Real' -- Death and Ethics -- Assemblage and Narrative -- Surface and Spectacle -- Simulated Skins -- Illusion and Allusion -- Tessa Farmer: Fairy Mania -- Collecting and Chance -- Making and Place -- Narrative and Storytelling
001484249 5058_ $$aSurvival and Cruelty -- Display and Mediation -- Preservation and Classification -- Miniaturization and Observation -- The Fairies and Their World -- A Truth Stranger Than Fiction -- The Grotesque and the Freak -- The Trickster and Transgression -- The Return of the Fairies -- Conclusion -- Chapter 4: Unnatural Histories: Forgotten Objects, Narratives and Lives -- The Heyday of Natural History -- The Narrative of History -- Mark Fairnington: Metafictional Mantidae -- Re-presenting Realism -- The Pre-Raphaelite Imagination -- The Wonders of the Microscope -- The Photograph as Fragment
001484249 5058_ $$aMontage and Mediation -- A Collection of Forms -- Mark Dion: Victorian Natural Histories -- The Amateur Beachcomber -- The Specimen Collector -- The Evolutionary Biologist -- The Female Naturalist -- The Artist-Historian -- Dorothy Cross: Recovering the Past -- Composing the Fragments -- Reenellen and Self-Authorization -- Audio-Visual Intertexts -- Remembering Maude Delap -- Conclusion -- Chapter 5: Colonial Afterlives: Communicating Our Transnational Past -- Creative Histories -- (Post-)colonial Contexts -- Yinka Shonibare: Performing the Past -- Ankara as Medium -- Incongruity and Anachronism
001484249 5058_ $$aSelf and Audience -- Self and Signifyin(g) -- Dandyism as Subversion -- Cultural Cross-dressing -- 'Living Histories' -- Shonibare as Storyteller -- Ingrid Pollard: History Beneath the Lens -- Historicizing the Image -- Re-presenting the Archive -- Labour and Landscapes -- Releasing Subjectivities -- Postcards Home -- Nostalgia and Narrative -- Missing You... -- Reading the Intertext -- The Present as Past... -- ...and Past as Present -- Conclusion -- Chapter 6: Conclusions: The Present Past in Contemporary Art -- Index
001484249 506__ $$aAccess limited to authorized users.
001484249 520__ $$aFrom contemporary deployments of taxidermy, magic lanterns and microscopy to the visualization of forgotten lives, marginalized narratives and colonial histories, this book explores how the work of artists including Mat Collishaw, Yinka Shonibare, Tessa Farmer, Mark Dion, Dorothy Cross and Ingrid Pollard reimag(in)es the Victorians in the present. Examining how recent paintings, sculptures, photographs, installations and films revisit and re-present nineteenth-century technologies, practices and events, the books rich interdisciplinary approach applies literary, media and linguistic theories to its analysis of visual art, alongside in-depth discussions of the Victorian inventions, concepts and narratives that they invoke. The books emphasis on how and why we represent the historical past makes its contribution particularly timely. And by drawing attention to the importance of historiography to the work of these artists, it also unravels the complicated history of History itself. This book will speak to diverse audiences including those interested in art history, visual culture, Victorian and neo-Victorian studies, as well as literature, histories of science and media, postcolonialism, museology, gender studies, postmodernism and the history of ideas.
001484249 588__ $$aDescription based on online resource; title from digital title page (viewed on December 11, 2023).
001484249 650_6 $$aArt et histoire.
001484249 650_6 $$aHistoire dans l'art.
001484249 650_6 $$aArt$$y21e siècle.
001484249 650_0 $$aArt and history.$$0(DLC)sh 85007960
001484249 650_0 $$aHistory in art.$$0(DLC)sh2009006613
001484249 650_0 $$aArt, Modern$$y21st century.$$0(DLC)sh 85008032
001484249 651_0 $$aGreat Britain$$xHistory$$yVictoria, 1837-1901$$xIn art.
001484249 651_6 $$aGrande-Bretagne$$xHistoire$$y1837-1901 (Victoria)$$xDans l'art.
001484249 655_0 $$aElectronic books.
001484249 77608 $$iPrint version:$$aElstob, Isobel.$$tReimag(in)ing the Victorians in contemporary art.$$dCham, Switzerland : Palgrave Macmillan, [2023]$$z9783031284939$$w(OCoLC)1370002131
001484249 77608 $$iPrint version:$$aElstob, Isobel.$$tReimag(in)ing the Victorians in contemporary art.$$dCham, Switzerland : Palgrave Macmillan, [2023]$$z9783031284939$$w(OCoLC)1400111930
001484249 852__ $$bebk
001484249 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-28493-9$$zOnline Access$$91397441.1
001484249 909CO $$ooai:library.usi.edu:1484249$$pGLOBAL_SET
001484249 980__ $$aBIB
001484249 980__ $$aEBOOK
001484249 982__ $$aEbook
001484249 983__ $$aOnline
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