001484557 000__ 03344cam\\2200565\i\4500 001484557 001__ 1484557 001484557 003__ OCoLC 001484557 005__ 20240117003328.0 001484557 006__ m\\\\\o\\d\\\\\\\\ 001484557 007__ cr\un\nnnunnun 001484557 008__ 231206s2023\\\\si\\\\\\ob\\\\000\0\eng\d 001484557 019__ $$a1410432723$$a1410591992 001484557 020__ $$a9789819956166$$q(electronic bk.) 001484557 020__ $$a9819956161$$q(electronic bk.) 001484557 020__ $$z9789819956159 001484557 020__ $$z9819956153 001484557 0247_ $$a10.1007/978-981-99-5616-6$$2doi 001484557 035__ $$aSP(OCoLC)1412043282 001484557 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX$$dEBLCP$$dOCLCO$$dN$T 001484557 043__ $$ae-fr---$$af-ae--- 001484557 049__ $$aISEA 001484557 050_4 $$aGF571 001484557 08204 $$a304.20944$$223/eng/20231206 001484557 1001_ $$aLeffler, Christopher,$$eauthor. 001484557 24510 $$aPlastic pasts :$$bsited memory in Paris, Algiers and Marseille /$$cChristopher Leffler. 001484557 264_1 $$aSingapore :$$bPalgrave Macmillan,$$c2023. 001484557 300__ $$a1 online resource (xii, 297 pages) 001484557 336__ $$atext$$btxt$$2rdacontent 001484557 337__ $$acomputer$$bc$$2rdamedia 001484557 338__ $$aonline resource$$bcr$$2rdacarrier 001484557 504__ $$aIncludes bibliographical references. 001484557 5050_ $$aIntroduction -- The Seine: Modernity, Memory and Models of Time -- The Hôtels Aletti and Saint-George: the lieu de mémoire and the survivance -- The Cimetière des Saints-Innocents: The lieu malgré tout and remediation -- Marseille: Memory in the imagined landscape -- Conclusion. 001484557 506__ $$aAccess limited to authorized users. 001484557 520__ $$aThis book uses plasticity as a metaphor for understanding how the past endures and evolves within the landscape, and the ways in which remembering shapes the sites we occupy and use. The plastic site is characterised both by its resilience, its form never entirely altered from an earlier mould, and by its malleability, which ensures that whatever persists is inevitably transformed. Embodied in its present configuration are the many moments that have produced it over time, and these are continually supplemented and modified. Surveying examples from Paris, Algiers and Marseille, and media as diverse as literature, film, photography, blogs and video games, Plastic Pasts interrogates how different communities and cultural producers have grappled with the present past in space as an enduring and dynamic memory. It argues that understanding sited memory as plastic entails recognising a multiplicity of immutable pasts that exist in a permanent state of ongoing evolution. 001484557 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed December 6, 2023). 001484557 650_6 $$aGéographie culturelle$$zFrance. 001484557 650_6 $$aGéographie culturelle$$zAlgérie$$zAlger. 001484557 650_0 $$aCultural geography$$zFrance. 001484557 650_0 $$aCultural geography$$zAlgeria$$zAlgiers. 001484557 650_0 $$aMemory$$xSociological aspects.$$vFiction$$0(DLC)sh2009116411 001484557 655_0 $$aElectronic books. 001484557 77608 $$iPrint version:$$z9819956153$$z9789819956159$$w(OCoLC)1390118650 001484557 852__ $$bebk 001484557 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-99-5616-6$$zOnline Access$$91397441.1 001484557 909CO $$ooai:library.usi.edu:1484557$$pGLOBAL_SET 001484557 980__ $$aBIB 001484557 980__ $$aEBOOK 001484557 982__ $$aEbook 001484557 983__ $$aOnline 001484557 994__ $$a92$$bISE