Landscape, association, empire : imagining Van Diemen’s Land / Philip Hutch, Elaine Stratford.
2023
GF802.T37
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Title
Landscape, association, empire : imagining Van Diemen’s Land / Philip Hutch, Elaine Stratford.
Author
ISBN
9789819954193 (electronic bk.)
9819954193 (electronic bk.)
9789819954186
9819954185
9819954193 (electronic bk.)
9789819954186
9819954185
Published
Singapore : Palgrave Macmillan, [2023]
Copyright
©2023
Language
English
Description
1 online resource (xxv, 217 pages) : illustrations (chiefly color)
Item Number
10.1007/978-981-99-5419-3 doi
Call Number
GF802.T37
Dewey Decimal Classification
304.209946
Summary
Long-standing imaginings of Van Diemen’s Land—as island, as ends of worlds, as pristine wilderness, as emptied of Aborigines—continue to shape contemporary lutruwita/Tasmania. In this superbly contextualised engagement with the work of seven colonial artists, Hutch and Stratford show how associationist thinking was integral to settler landscapes of dispossession and possession. Landscape, Association, Empire provides a surprisingly hopeful wrestling with the fraught legacies of settler colonialism; the future can be imagined otherwise. —Professor Lesley Head, University of Melbourne, Australia Landscape, Association, Empire explores how representation echoes, shapes, and haunts understanding. It carefully documents the interplay of art, image, policy, and action that tried to create Van Diemen’s Land as a place of white innocence and Indigenous absence in the presence of genocide. Its impressive scholarship traces the contexts of colonising through place-making and place-imagining as distilled in landscape paintings. It insists that representation is never neutral or context free; always it has consequences. Hutch and Stratford’s brilliant rethinking of colonial imagery undermines narratives of settlement, inviting new conceptualisations of how Tasmania’s pasts, presents, and futures connect. —Professor Richie Howitt, Macquarie University, Australia This fascinating and important book critically examines the diverse works of seven nineteenth century topographical artists, surveyors and writers in Van Diemen’s Land. It is illustrated with over 60 carefully selected drawings, paintings, and maps. The authors provide many original and thought-provoking insights into the ways settlers’ aesthetic associations were used to construct different ideas of place and home. —Professor Charles Watkins, University of Nottingham, UK Philip Hutch is an honorary associate in the School of Geography, Planning, and Spatial Sciences at the University of Tasmania. His research focus is on the intellectual history of pictures of place and landscape and on association and processes of mind. Elaine Stratford is a professor in the School of Geography, Planning, and Spatial Sciences at the University of Tasmania, with interests in the geohumanities and cultural and political geography and in how people flourish in place, in their movements, in daily life, and over the life-course.
Bibliography, etc. Note
Includes bibliographical references and index.
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Access limited to authorized users.
Source of Description
Online resource; title from PDF title page (SpringerLink, viewed December 7, 2023).
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Available in Other Form
Print version: 9789819954186
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Table of Contents
1. Introduction
2. Frames, Canvases, and Perspectives
3. Mapping and Picturing Worlds: Harris, Evans, Frankland
4. Relocation and Return: Lycett and Prout
5. Making Home Place: Allport and Meredith
6. Reflections and Horizons.
2. Frames, Canvases, and Perspectives
3. Mapping and Picturing Worlds: Harris, Evans, Frankland
4. Relocation and Return: Lycett and Prout
5. Making Home Place: Allport and Meredith
6. Reflections and Horizons.