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001484602 001__ 1484602
001484602 003__ OCoLC
001484602 005__ 20240117003330.0
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001484602 019__ $$a1411876446$$a1412001143
001484602 020__ $$a9789819954193$$q(electronic bk.)
001484602 020__ $$a9819954193$$q(electronic bk.)
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001484602 020__ $$z9819954185
001484602 0247_ $$a10.1007/978-981-99-5419-3$$2doi
001484602 035__ $$aSP(OCoLC)1412207194
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001484602 049__ $$aISEA
001484602 050_4 $$aGF802.T37
001484602 08204 $$a304.209946$$223/eng/20231207
001484602 1001_ $$aHutch, Philip,$$eauthor.
001484602 24510 $$aLandscape, association, empire :$$bimagining Van Diemen’s Land /$$cPhilip Hutch, Elaine Stratford.
001484602 264_1 $$aSingapore :$$bPalgrave Macmillan,$$c[2023]
001484602 264_4 $$c©2023
001484602 300__ $$a1 online resource (xxv, 217 pages) :$$billustrations (chiefly color)
001484602 336__ $$atext$$btxt$$2rdacontent
001484602 337__ $$acomputer$$bc$$2rdamedia
001484602 338__ $$aonline resource$$bcr$$2rdacarrier
001484602 504__ $$aIncludes bibliographical references and index.
001484602 5050_ $$a1. Introduction -- 2. Frames, Canvases, and Perspectives -- 3. Mapping and Picturing Worlds: Harris, Evans, Frankland -- 4. Relocation and Return: Lycett and Prout -- 5. Making Home Place: Allport and Meredith -- 6. Reflections and Horizons.
001484602 506__ $$aAccess limited to authorized users.
001484602 520__ $$aLong-standing imaginings of Van Diemen’s Land—as island, as ends of worlds, as pristine wilderness, as emptied of Aborigines—continue to shape contemporary lutruwita/Tasmania. In this superbly contextualised engagement with the work of seven colonial artists, Hutch and Stratford show how associationist thinking was integral to settler landscapes of dispossession and possession. Landscape, Association, Empire provides a surprisingly hopeful wrestling with the fraught legacies of settler colonialism; the future can be imagined otherwise. —Professor Lesley Head, University of Melbourne, Australia Landscape, Association, Empire explores how representation echoes, shapes, and haunts understanding. It carefully documents the interplay of art, image, policy, and action that tried to create Van Diemen’s Land as a place of white innocence and Indigenous absence in the presence of genocide. Its impressive scholarship traces the contexts of colonising through place-making and place-imagining as distilled in landscape paintings. It insists that representation is never neutral or context free; always it has consequences. Hutch and Stratford’s brilliant rethinking of colonial imagery undermines narratives of settlement, inviting new conceptualisations of how Tasmania’s pasts, presents, and futures connect. —Professor Richie Howitt, Macquarie University, Australia This fascinating and important book critically examines the diverse works of seven nineteenth century topographical artists, surveyors and writers in Van Diemen’s Land. It is illustrated with over 60 carefully selected drawings, paintings, and maps. The authors provide many original and thought-provoking insights into the ways settlers’ aesthetic associations were used to construct different ideas of place and home. —Professor Charles Watkins, University of Nottingham, UK Philip Hutch is an honorary associate in the School of Geography, Planning, and Spatial Sciences at the University of Tasmania. His research focus is on the intellectual history of pictures of place and landscape and on association and processes of mind. Elaine Stratford is a professor in the School of Geography, Planning, and Spatial Sciences at the University of Tasmania, with interests in the geohumanities and cultural and political geography and in how people flourish in place, in their movements, in daily life, and over the life-course.
001484602 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed December 7, 2023).
001484602 650_6 $$aArt et géographie$$zAustralie$$zTasmanie.
001484602 650_6 $$aPaysages dans l'art.
001484602 650_6 $$aImpérialisme.
001484602 650_0 $$aHuman geography$$zAustralia$$zTasmania.
001484602 650_0 $$aArt and geography$$zAustralia$$zTasmania.
001484602 650_0 $$aLandscapes in art.$$0(DLC)sh 85074423
001484602 650_0 $$aImperialism.$$xHistory$$y18th century$$0(DLC)sh2008123080
001484602 651_0 $$aTasmania$$xEmigration and immigration.
001484602 651_6 $$aTasmanie$$xÉmigration et immigration.
001484602 655_0 $$aElectronic books.
001484602 7001_ $$aStratford, Elaine,$$eauthor.
001484602 77608 $$iPrint version: $$z9819954185$$z9789819954186$$w(OCoLC)1389485233
001484602 852__ $$bebk
001484602 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-99-5419-3$$zOnline Access$$91397441.1
001484602 909CO $$ooai:library.usi.edu:1484602$$pGLOBAL_SET
001484602 980__ $$aBIB
001484602 980__ $$aEBOOK
001484602 982__ $$aEbook
001484602 983__ $$aOnline
001484602 994__ $$a92$$bISE