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001484638 001__ 1484638
001484638 003__ OCoLC
001484638 005__ 20240117003331.0
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001484638 019__ $$a1411016334$$a1411309242
001484638 020__ $$a9783031468544$$q(electronic bk.)
001484638 020__ $$a3031468546$$q(electronic bk.)
001484638 020__ $$z9783031468537
001484638 020__ $$z3031468538
001484638 0247_ $$a10.1007/978-3-031-46854-4$$2doi
001484638 035__ $$aSP(OCoLC)1412527647
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001484638 049__ $$aISEA
001484638 050_4 $$aK1420.5
001484638 08204 $$a346.04/82$$223/eng/20231208
001484638 1001_ $$aCarvalho, Julio,$$eauthor.
001484638 24512 $$aA cultural history of copyright :$$bfrom books to networks /$$cJulio Carvalho.
001484638 264_1 $$aCham :$$bSpringer,$$c[2023]
001484638 264_4 $$c©2023
001484638 300__ $$a1 online resource (x, 148 pages)
001484638 336__ $$atext$$btxt$$2rdacontent
001484638 337__ $$acomputer$$bc$$2rdamedia
001484638 338__ $$aonline resource$$bcr$$2rdacarrier
001484638 504__ $$aIncludes bibliographical references.
001484638 5050_ $$a1. Introduction: ‘Don’t think, look!’, said Wittgenstein. But Where to Look From? -- Part I -- 2. The British Landscape -- 3. Copyright in Eighteenth-Century Germany -- Part II -- 4. The Social Ontology of Legal Institutions -- Part III -- 5. Going Digital -- 6. Out of Joint -- Part IV -- 7. The Contextualism of Law.
001484638 506__ $$aAccess limited to authorized users.
001484638 520__ $$aCombining philosophical and historical perspectives, this book focuses on the rise of a legal institution that has dominated the economy of knowledge ever since it burst onto the scene at the dawn of modernity in the heartlands of Europe. From the age of print to the age of networks and disruptive technologies, this book explores the place of copyright amid the various conceptual transformations it has undergone over time. Uniquely, it presents an in-depth philosophical treatment of the cultural history of copyright from its beginnings to the present. Although copyright is a central topic, the content is by no means limited to it. The main question the author seeks to answer is: how do legal institutions emerge and how do they evolve over time? Though copyright is a wonderful example for tackling this question, a selection of other institutions, such as the social practice of promising in eighteenth-century Britain, are also addressed at considerable length. What the author has managed to show in this book is that the transformations which modern law has undergone since the eighteenth century are inextricably linked to those which have shaped the modern subject to the core. Law forms part of those great schemes of intelligibility that allow us to understand ourselves better. We need to delve deep into the multiple layers of culture if we want to fully understand how the morphology and cultural archaeology of our legal institutions intertwine.
001484638 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed December 8, 2023).
001484638 650_0 $$aCopyright$$xHistory.
001484638 650_6 $$aDroit d'auteur$$xHistoire.
001484638 655_0 $$aElectronic books.
001484638 77608 $$iPrint version:$$aCarvalho, Julio$$tA Cultural History of Copyright$$dCham : Springer,c2024$$z9783031468537
001484638 852__ $$bebk
001484638 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-46854-4$$zOnline Access$$91397441.1
001484638 909CO $$ooai:library.usi.edu:1484638$$pGLOBAL_SET
001484638 980__ $$aBIB
001484638 980__ $$aEBOOK
001484638 982__ $$aEbook
001484638 983__ $$aOnline
001484638 994__ $$a92$$bISE