001484702 000__ 04892cam\\2200577\i\4500 001484702 001__ 1484702 001484702 003__ OCoLC 001484702 005__ 20240117003334.0 001484702 006__ m\\\\\o\\d\\\\\\\\ 001484702 007__ cr\cn\nnnunnun 001484702 008__ 231212s2023\\\\enk\\\\\o\\\\\000\0\eng\d 001484702 019__ $$a1410758153$$a1411306353 001484702 020__ $$a9783031409127$$q(electronic bk.) 001484702 020__ $$a3031409124$$q(electronic bk.) 001484702 020__ $$z9783031409110 001484702 020__ $$z3031409116 001484702 0247_ $$a10.1007/978-3-031-40912-7$$2doi 001484702 035__ $$aSP(OCoLC)1413477581 001484702 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dN$T$$dEBLCP$$dYDX$$dOCLCO 001484702 049__ $$aISEA 001484702 050_4 $$aPN1995 001484702 08204 $$a791.4375$$223/eng/20231212 001484702 1001_ $$aProctor, William,$$d1974-$$eauthor.$$1https://isni.org/isni/0000000499401348 001484702 24510 $$aReboot culture :$$bcomics, film, transmedia /$$cWilliam Proctor. 001484702 264_1 $$aBasingstoke :$$bPalgrave Macmillan,$$c2023. 001484702 300__ $$a1 online resource (282 pages) 001484702 336__ $$atext$$btxt$$2rdacontent 001484702 337__ $$acomputer$$bc$$2rdamedia 001484702 338__ $$aonline resource$$bcr$$2rdacarrier 001484702 5050_ $$aChapter 1: Introduction -- Chapter 2: A New Terminology? Discourses, Distinctions, Definitions -- Chapter 3: Planet of the Capes: Archaeology of the Silver Age Comic Book Reboot -- Chapter 4: Crisis Management: Archaeology of the Pre-Boot -- Chapter 5: Superman Begins: Archaeology of John Byrnes Man of Steel Reboot -- Chapter 6: The Darkest Knight: Archaeology of the Batman in Comics and Film -- Chapter 7: Conclusion. 001484702 506__ $$aAccess limited to authorized users. 001484702 520__ $$aWilliam Proctor interrogates reboot culture like hes leading a courtroom drama: marshalling evidence, challenging assumptions and exposing the careless thinking of previous work (including my own) through a series of fascinating case studies. [] Passionate, provocative and pedantic, this book provides an invigorating experience and a fierce, focused argument that should inspire media students and set a spark to scholarly debate. Will Brooker, Professor of Film and Cultural Studies, Kingston University, London A very enjoyable, readable ride on the history of film and comic reboots from an engaging academic perspective, including related phenomena like retconning, re-launches, spin-offs, and more. Mark J. P. Wolf, Professor in the Communication Department at Concordia University, Wisconsin Since the release of Christopher Nolans Batman Begins in 2005, there has been a pronounced surge in alternative uses of the computer term reboot, a surge that has witnessed the term deployed in new contexts and new signifying practices, involving politics, fashion, sex, nature, sport, business, and media. As a narrative concept, however, reboot terminology remains widely misused, misunderstood, and misinterpreted across popular, journalistic, and academic discourses, being recklessly and relentlessly solicited as a way to describe a broad range of narrative operations and contradictory groupings, including prequels, sequels, adaptations, revivals, re-launches, generic refreshes, and enactments of retroactive continuity. Adopting an inter-disciplinary approach that fuses cultural studies, media archaeology, and discursive approaches, this book challenges existing scholarship on the topic by providing new frameworks and taxonomies that illustrate key differences between reboots and other strategies of regeneration, helping to spotlight the various ways in which the culture industries mine their intellectual properties in distinct and novel ways to present them anew. Reboot Culture: Comics, Film, Transmedia is the first academic study to critically explore and interrogate the reboot phenomenon as it emerged historically to describe superhero comics that sought to jettison existing narrative continuity in order to begin again from scratch. William Proctor is Associate Professor in Popular Culture at Bournemouth University, UK. 001484702 588__ $$aDescription based on print version record. 001484702 61020 $$aDC Comics, Inc.$$1https://isni.org/isni/0000000123083249 001484702 650_6 $$aSuites (Films) 001484702 650_6 $$aNouvelles versions (Télévision) 001484702 650_6 $$aFilms de superhéros. 001484702 650_0 $$aFilm sequels.$$0(DLC)sh 85088075 001484702 650_0 $$aTelevision remakes. 001484702 650_0 $$aSuperhero films.$$0(DLC)sh2002000112 001484702 650_0 $$aSuperheroes in comics. 001484702 655_0 $$aElectronic books. 001484702 77608 $$iPrint version:$$aProctor, William, 1974-$$tReboot culture.$$dBasingstoke : Palgrave Macmillan, 2023$$z9783031409110$$w(OCoLC)1400787606 001484702 852__ $$bebk 001484702 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-031-40912-7$$zOnline Access$$91397441.1 001484702 909CO $$ooai:library.usi.edu:1484702$$pGLOBAL_SET 001484702 980__ $$aBIB 001484702 980__ $$aEBOOK 001484702 982__ $$aEbook 001484702 983__ $$aOnline 001484702 994__ $$a92$$bISE