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Table of Contents
Cover Page
Title Page
Copyright Page
Contents
Acknowledgments
Introduction
1. Of Heirs and Bold Purloiners: Thomas Shadwell's Alternative Models of Literary Inheritance in The Lancashire Witches and The Squire of Alsatia
2. "Can My Imagination Feel?": Reading, Theatricality, and the Mind-Body Problem in Aphra Behn's The Luckey Chance and The Emperor of the Moon
3. Textual Timelessness, Performative Time: Posterity in William Congreve's Love for Love and The Way of the World
4. "Take This Sad Ballad, Which I Bought at Fair": Pastoral Performance and Print Capitalism in John Gay's The What D'Ye Call It and The Beggar's Opera
Conclusion
Notes
Bibliography
Index
Title Page
Copyright Page
Contents
Acknowledgments
Introduction
1. Of Heirs and Bold Purloiners: Thomas Shadwell's Alternative Models of Literary Inheritance in The Lancashire Witches and The Squire of Alsatia
2. "Can My Imagination Feel?": Reading, Theatricality, and the Mind-Body Problem in Aphra Behn's The Luckey Chance and The Emperor of the Moon
3. Textual Timelessness, Performative Time: Posterity in William Congreve's Love for Love and The Way of the World
4. "Take This Sad Ballad, Which I Bought at Fair": Pastoral Performance and Print Capitalism in John Gay's The What D'Ye Call It and The Beggar's Opera
Conclusion
Notes
Bibliography
Index