Emiliano Zapata : 100 años, 100 Fotos.
2022
F1234.Z37E438 2022
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Details
Title
Emiliano Zapata : 100 años, 100 Fotos.
Author
Edition
1st ed.
ISBN
9789587982367
9789587982350
9789587982350
Published
Bogotá : Universidad De Los Andes, 2022.
Copyright
©2022.
Language
Spanish
Description
1 online resource (301 pages).
Call Number
F1234.Z37E438 2022
Summary
Este catálogo recoge una serie de exposiciones (Colombia, México, Estados Unidos y el Reino Unido) que conmemoraron el centenario del asesinato de Emiliano Zapata (1879-1919), mediante la instalación artística de una serie de fotografías provenientes de la Colección Gustavo Casasola y otros acervos públicos y privados mexicanos. Aunque hoy Zapata es una suerte de imagen emblemática de la Revolución Mexicana e impulsó la más importante de sus agendas (el agrarismo), hasta su muerte fue visto, incluso por otros revolucionarios, como una suerte de oscuro "Atila" enemigo de la civilización. Muchas fotografías de la época pretendieron ilustrar el salvajismo, suciedad y violencia irracional de los zapatistas. Luego, el Estado mexicano devino "zapatista" y se apropió de esas reivindicaciones sociales e hizo uso mediático de las imágenes de esos "otros" que alegaba representar. La rememoración nacionalista de Zapata paradójicamente sepulta la tradición de los oprimidos (damos cuenta de esto en el catálogo). En contraste, presentamos una serie de imágenes anómalas como las tomadas por los propios zapatistas, así como varias de mujeres e incluso de un revolucionario zapatista transgénero que problematizan las representaciones tradicionales de la Revolución. Este catálogo quiere desplegar una política de la empatía con quienes, como Zapata, quisieron descarrilar el tren de mil injusticias que siguen sucediendo. Antes que la conmemoración de una muerte, quisiéramos recuperar la potencia afectiva de la memoria visual para celebrar la vida y los reclamos de quienes fueron puestos en la fosa común de la historia o sepultados --como Zapata-- bajo pesados monumentos. This catalog commemorates the 100-year anniversary of the assassination of Emiliano Zapata (1879-1919). It collects the material presented in a series of exhibitions of photographs (Colombia, Mexico,
USA and UK) from the Gustavo Casasola Collection and other public and private archives. Although today Zapata is something of a posterboy of the Mexican Revolution, at the time he was portrayed--even by some of his fellow revolutionaries--as a dark-skinned bandit, a sort of "Attila", an enemy of civilization. Many photographs of Zapatistas were initially used to illustrate the alleged filth, savagery, and irrationality of Southern revolutionaries. Later on, the Mexican state itself became "Zapatista": it not only appropriated the agrarian and social demands of the Army of the South but also instrumentalized and circulated images of those revolutionary "others" that the government supposedly represented. The nationalistic remembrance of Zapata has paradoxically buried the tradition of the oppressed. In opposition to this appropriation by the State, we present a series of relatively anomalous images such as those taken by the Zapatistas themselves, as well as several images of women and of a transgender Zapatista that problematize typical representations of the Revolution. Rather than commemorating death, this catalog wants to spark the affective power of visual memory to celebrate the claims and lives of those who were dumped in the common grave of history or buried--like Zapata--under heavy monuments.
USA and UK) from the Gustavo Casasola Collection and other public and private archives. Although today Zapata is something of a posterboy of the Mexican Revolution, at the time he was portrayed--even by some of his fellow revolutionaries--as a dark-skinned bandit, a sort of "Attila", an enemy of civilization. Many photographs of Zapatistas were initially used to illustrate the alleged filth, savagery, and irrationality of Southern revolutionaries. Later on, the Mexican state itself became "Zapatista": it not only appropriated the agrarian and social demands of the Army of the South but also instrumentalized and circulated images of those revolutionary "others" that the government supposedly represented. The nationalistic remembrance of Zapata has paradoxically buried the tradition of the oppressed. In opposition to this appropriation by the State, we present a series of relatively anomalous images such as those taken by the Zapatistas themselves, as well as several images of women and of a transgender Zapatista that problematize typical representations of the Revolution. Rather than commemorating death, this catalog wants to spark the affective power of visual memory to celebrate the claims and lives of those who were dumped in the common grave of history or buried--like Zapata--under heavy monuments.
Note
USA and UK) from the Gustavo Casasola Collection and other public and private archives. Although today Zapata is something of a posterboy of the Mexican Revolution, at the time he was portrayed--even by some of his fellow revolutionaries--as a dark-skinned bandit, a sort of "Attila", an enemy of civilization. Many photographs of Zapatistas were initially used to illustrate the alleged filth, savagery, and irrationality of Southern revolutionaries. Later on, the Mexican state itself became "Zapatista": it not only appropriated the agrarian and social demands of the Army of the South but also instrumentalized and circulated images of those revolutionary "others" that the government supposedly represented. The nationalistic remembrance of Zapata has paradoxically buried the tradition of the oppressed. In opposition to this appropriation by the State, we present a series of relatively anomalous images such as those taken by the Zapatistas themselves, as well as several images of women and of a transgender Zapatista that problematize typical representations of the Revolution. Rather than commemorating death, this catalog wants to spark the affective power of visual memory to celebrate the claims and lives of those who were dumped in the common grave of history or buried--like Zapata--under heavy monuments.
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Table of Contents
CUBIERTA.pdf
P ginas internas Emiliano Zapata.pdf
INTRO.1-3
4-9
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INGLÉS
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P ginas internas Emiliano Zapata.pdf
INTRO.1-3
4-9
_GoBack
INGLÉS
_3o7alnk
_23ckvvd
_ihv636
_32hioqz
_1hmsyys
_41mghml
_vx1227
_3fwokq0.