Introduction / Massimo Fusillo
The aesthetics of fictional cinema. The killing vision: David Foster Wallace's Infinite jest / Stefano Ercolino
Hybridizations. Writing the making of: a new literary genre? / Jan Baetens
A film run in installments": memory and cinema in Tom McCarthy's Remainder / Vincenzo Magyitti
Towards other \vorlds, towards other meanings: screenplays on the edge of the plot / Clotilde Bertoni
Paul Auster, Hector Mann and the Book of illusion / Anna Scannavini
Manana en La batalla piensa en mi: cinema, theatre, television and the creative force of the word / Federica Ivaldi
Failed cinema. Quo vadis- Kino?" Kurt Pinthus and the theoretical dehate on the birth of cinema in Germany / Laca Lenobi
The Outer Life of Martin Frost, or never make an imaginary film / Silvia Alberlazzi
On conceiving (and sometimes not succeeding in making) a film / Giulio Iacoli
The politics of fictional cinema. The "quasi-truth": literature and cinema in Starnone and Piccolo / Gianluigi Simonetti
Breakfast at the prater: Christopher Ishenvood, his Vomen and Men / Gian Fiero Piretto
Alpdriicken and the spectrum of power in Gravity's rainbow by Thomas Pynchon / Mirko Lino
Pattern recognition: the "Postdnema" seen by William Gibson / Simone Arcagni.