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001488128 020__ $$a9781350294592
001488128 020__ $$a1350294594
001488128 0247_ $$a10.5040/9781350294592$$2doi
001488128 040__ $$aNhCcYBP$$cNhCcYBP
001488128 050_4 $$aN72.E8$$bB53 2023
001488128 08204 $$a701.03$$223
001488128 24500 $$aBlack art and aesthetics :$$bRelationalities, interiorities, reckonings /$$cedited by Michael Kelly and Monique Roelofs.
001488128 250__ $$a1st ed.
001488128 264_1 $$aLondon :$$bBloomsbury Academic,$$c2013.
001488128 264_2 $$aLondon :$$bBloomsbury Publishing (UK),$$c2023.
001488128 300__ $$a1 online resource (400 pages)
001488128 336__ $$atext$$btxt$$2rdacontent
001488128 337__ $$acomputer$$2rdamedia
001488128 338__ $$aonline resource$$2rdacarrier
001488128 347__ $$atext file$$bHTML
001488128 5050_ $$aList of Illustrations Acknowledgments Preface: Blackness, Whiteness, and Curatorial Care, &lt;i>Michael Kelly (University of North Carolina at Charlotte, USA) and Monique Roelofs (University of Amsterdam, the Netherlands)&lt;/i> &lt;i> &lt;/i>Introduction: Revalorizing Black Aesthetics,&lt;i> Michael Kelly (University of North Carolina at Charlotte, USA) and Monique Roelofs (University of Amsterdam, the Netherlands)&lt;/i> &lt;b>PART I. Blackness as Aesthetic Strategy&lt;/b> 1. Coloring History, Theory, and Painting, &lt;i>Meleko Mokgosi (Artist, Yale University, USA)&lt;/i> 2. From &lt;i>the new black &lt;/i>and&lt;i> &lt;/i>from&lt;i> semiautomatic&lt;/i>, &lt;i>Evie Shockley (Poet and Theorist, Rutgers University, USA)&lt;/i> 3. Art and Negative Dialectics: On Soft Aesthetics, &lt;i>Angela Y. Davis (UC Santa Cruz, USA)&lt;/i> 4. Embracing Injury: Black Queer Bodies and Poetic Experimentation, &lt;i>GerShun Avilez (University of Maryland, USA)&lt;/i> 5. Afrodiasporic Aesthetics in Classical and Experimental Music After 1960, &lt;i>George E. Lewis (Musician and Theorist, Columbia University, USA)&lt;/i> &lt;b>PART II. Black Art Spaces&lt;/b> 6. See Me Here: Defining Black Space at the Intersection of Artistic and Curatorial Practices in &lt;i>Privy&lt;/i>,&lt;i> Deborah Goffe (Dancer and Theorist, &lt;/i>&lt;i>Trinity College&lt;/i>&lt;i>, USA)&lt;/i> 7. The Black Image Corporation: When History Isn't Enough. The Need for Corporate Practices Within the Archive, &lt;i>Theaster Gates (Artist, Chicago, USA)&lt;/i> 8. elevators, &lt;i>Simone White and Benjamin Krusling (Poets, University of Pennsylvania and New York City, USA)&lt;/i> 9. Aesthetic Form in the New Thing: Aesthetic Sociality of &lt;i>Musique Informelle&lt;/i>, &lt;i>Fumi Okiji (Musician and Theorist, University of California, Berkeley, USA)&lt;/i> 10. White by Design, &lt;i>Mabel O. Wilson (Architect and Theorist, Columbia University, USA)&lt;/i> &lt;b>PART III. History Making&lt;/b> 11. Swampy Land by the River Don, &lt;i>Nell Painter (Artist and Historian, Princeton University, USA)&lt;/i> 12. Addressing the World? Aesthetics of Resistance, Difference, and Relationality in Aimé Césaire's Plays, &lt;i>Mickaella Perina (University of Massachusetts at Boston, USA)&lt;/i> 13. Making Histories: Wangechi Mutu in Conversation with Isaac Julien and Claudia Schmuckli&lt;i>, Wangechi Mutu (Artist, New York City, USA); Isaac Julien (Filmmaker, London and UC Santa Cruz, USA); and Claudia Schmuckli (Curator, Fine Arts Museums of San Francisco, USA)&lt;/i> 14. Aliveness and Aesthetics, &lt;i>Kevin Quashie (Brown University, USA)&lt;/i> 15. Two Images: &lt;i>Fons Americanum&lt;/i> and &lt;i>The Right &lt;/i>&lt;i>Side&lt;/i>, &lt;i>Kara Walker (Artist, New York City, USA)&lt;/i> &lt;b>PART IV. Groundings, Transpositions, Breaks&lt;/b> 16. From &lt;i>the black maria &lt;/i>and from &lt;i>Kingdom Animalia&lt;/i>, &lt;i>Aracelis Girmay&lt;/i> &lt;i>(Poet, &lt;/i>&lt;i>Stanford University&lt;/i>&lt;i>, USA)&lt;/i> 17. Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law, &lt;i>Sarah Elizabeth Lewis&lt;/i>&lt;i> (Harvard University, USA)&lt;/i> 18. "Survival is not a theory": Afro-Pessimism Transposed, &lt;i>Paul C. Taylor (&lt;/i>&lt;i>University of California, Los Angeles, USA&lt;/i>&lt;i>)&lt;/i> 19. Imitation of Life/A Box Full of Darkness, &lt;i>James B. Haile, III (University of Rhode Island, USA)&lt;/i> &lt;b>PART V. Callings &lt;/b> 20. Tracy K. Smith's&lt;i> Ordinary Life&lt;/i>: Enfleshing a Theory of Post-Soul, &lt;i>Daphne Lamothe (Smith College, USA)&lt;/i> 21. From &lt;i>Citizen &lt;/i>and from &lt;i>Don't Let Me Be Lonely&lt;/i>, &lt;i>Claudia Rankine (Poet, New York University, USA)&lt;/i> 22. Dance On, &lt;i>Thomas F. DeFrantz&lt;/i> &lt;i>(Dancer and Theorist, Northwestern University, USA)&lt;/i> 23. 'One-eyed' Immersive Particularities, &lt;i>Jeremy Matthew Glick&lt;/i> (&lt;i>Hunter College, USA)&lt;/i> 24. On Black Speculative Musicalities, &lt;i>Vijay Iyer (Musician and Theorist, Harvard University, USA)&lt;/i> &lt;i> &lt;/i> Index.
001488128 506__ $$aAccess limited to authorized users
001488128 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
001488128 588__ $$aDescription based upon online resource; title from PDF title page (viewed November 27th, 2023).
001488128 650_0 $$aArt, Black.
001488128 650_0 $$aArt$$xMoral and ethical aspects.
001488128 655_0 $$aElectronic books
001488128 7001_ $$aKelly, Michael,$$eeditor.
001488128 7001_ $$aRoelofs, Monique,$$eeditor.
001488128 7102_ $$aProQuest (Firm)
001488128 852__ $$bebk
001488128 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=30780520$$zOnline Access
001488128 909CO $$ooai:library.usi.edu:1488128$$pGLOBAL_SET
001488128 980__ $$aBIB
001488128 980__ $$aEBOOK
001488128 982__ $$aEbook
001488128 983__ $$aOnline