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Introduction.Through the Looking Glass
An Efflorescence of Deconstruction : Space, Shape, Surface, and the Urban as Modes of Jazz Consciousness
Curvilinearity, Swing, and the Spline : The Africanist Grid as a Mode of Jazz Consciousness
"We No Longer Consider Them Damaged" : Distortion as a Mode of Jazz Consciousness
Living Space : John Coltrane Between Worlds
Electricity Was Just Another Color : Miles Davis Between Worlds
Conclusion. "A Liquid Feeling Emerges" : Free Meter and Distortion as Generators of Black Pasts and Futures.

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