001489774 000__ 03573nam\\22004693i\4500 001489774 001__ 1489774 001489774 003__ MiAaPQ 001489774 005__ 20240402003248.0 001489774 006__ m\\\\\o\\d\\\\\\\\ 001489774 007__ cr\cn\nnnunnun 001489774 008__ 240328s2022\\\\xx\\\\\\o\\\\\|||\0\eng\d 001489774 020__ $$a9780813070254 001489774 020__ $$z9780813069517 001489774 035__ $$a(MiAaPQ)EBC30189190 001489774 035__ $$a(Au-PeEL)EBL30189190 001489774 035__ $$a(OCoLC)1349278374 001489774 040__ $$aMiAaPQ$$beng$$erda$$epn$$cMiAaPQ$$dMiAaPQ 001489774 0820_ $$a820.915 001489774 1001_ $$aPalmer, R. Barton. 001489774 24510 $$aAllegory and the Poetic Self :$$bFirst-Person Narration in Late Medieval Literature. 001489774 250__ $$a1st ed. 001489774 264_1 $$aGainesville :$$bUniversity Press of Florida,$$c2022. 001489774 264_4 $$c©2022. 001489774 300__ $$a1 online resource (325 pages). 001489774 336__ $$atext$$btxt$$2rdacontent 001489774 337__ $$acomputer$$bc$$2rdamedia 001489774 338__ $$aonline resource$$bcr$$2rdacarrier 001489774 5050_ $$aCover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- 1. Introduction: Allegory and the Poetic Self -- First-Person Narration in Late Medieval Literature -- Part I. Authorship and Authorial Identity -- 2. Once Again the Authorship of the Roman de la Rose -- 3. The Roles of the "I" in Machaut's Jugement Poems, from Narrator to Accused -- 4. René d'Anjou and His Textual Models -- 5. Polymorphic Self-Narration in Le livre du Chevalier errant of Thomas III of Saluzzo -- Part II. Focusing the Narrator -- 6. Narration and Personification Allegory in Machaut's Vergier -- 7. First-Person Allegory and the Concept of the Unreliable Narrator -- 8. The Heart in the Minnelehre, the Roman de la Poire, and the Livre du Cœur d'amour épris -- 9. Boundaries of Form and Subject in Fifteenth-Century Dits -- Part III. Love and Desire between Tradition and Subjectivity -- 10. Dueling Models of Desire: Ovid and Boethius in the Rose and the Dit Amoureux -- 11. Boccaccio's Amorosa Visione: The Search for Wholeness in the Spirit of Erotic Pleasure -- 12. Frustrating Autobiography: The Examples of Libro de buen amor and Cárcel de amor -- 13. The Semantics of Love and Narrative Ground in Guiraut Riquier's Libre -- 14. Glossing the "Text" of Love: First-Person Narration and the Performative Self in Hadamar von Laber's Jagd -- 15. Postscript -- Primary Source Dates -- Select Bibliography -- List of Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. 001489774 506__ $$aAccess limited to authorized users. 001489774 520__ $$aThis book examines the rise of an influential new family ofpoetry in the late Middle Ages, analyzing why the allegorical first-personromance embedded itself in the vernacular literature of Western Europe andremained popular for more than two centuries. 001489774 588__ $$aDescription based on publisher supplied metadata and other sources. 001489774 655_0 $$aElectronic books 001489774 7001_ $$aPhilipowski, Katharina. 001489774 7001_ $$aRüthemann, Julia. 001489774 77608 $$iPrint version:$$aPalmer, R. Barton$$tAllegory and the Poetic Self$$dGainesville : University Press of Florida,c2022$$z9780813069517 001489774 852__ $$bebk 001489774 85640 $$3ProQuest Ebook Central Academic Complete $$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=30189190$$zOnline Access 001489774 909CO $$ooai:library.usi.edu:1489774$$pGLOBAL_SET 001489774 980__ $$aBIB 001489774 980__ $$aEBOOK 001489774 982__ $$aEbook 001489774 983__ $$aOnline