Intro
Table of Contents
Preface
1. The Productive Interaction of Christians and Jews That Led to the Creation of Modernism in Vienna 1900
2. Empathy and the Uncertainties of Being in the Paintings of Chaim Soutine: A Beholder's Perspective
3. Competing Influences That Gave Rise to the Modern Representation of Women
4. Portraiture and the Beholder's Share: A Brain Science Perspective
5. The Cubist Challenge to the Beholder's Share
6. Comparison of Sculpture and Painting
7. The Beholder's Response to Abstract and Figurative Art
Notes
Index