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001492494 001__ 1492494
001492494 003__ OCoLC
001492494 005__ 20240614003156.0
001492494 008__ 210510t20212021nyuac\\e\b\\\\001\0\eng\\
001492494 010__ $$a2021019866
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001492494 020__ $$a9780593230572$$q(hardcover)
001492494 020__ $$a9780753559536$$q(hardcover)
001492494 020__ $$a0593230574$$q(hardcover)
001492494 020__ $$z9780593230589$$q(electronic book)
001492494 020__ $$a0753559536$$q(hardcover)
001492494 0248_ $$a40030845815
001492494 035__ $$a(OCoLC)1250435664
001492494 040__ $$aDLC$$beng$$erda$$cDLC$$dOCLCO$$dBDX$$dOCLCF$$dMLSOD$$dZQP$$dUKMGB$$dGO4$$dWIM$$dRNL$$dOCO$$dIUK$$dCGB$$dILC$$dYDX$$dJJG$$dJSE$$dJAS$$dTCH$$dFMG$$dKQX$$dGPM$$dINR$$dVP@$$dBUF$$dEHH$$dEAU$$dYUS$$dOCLCO$$dZ#6$$dUND$$dCLU$$dOCLCO$$dAOW$$dZR1$$dDNB$$dNYP$$dCGN$$dXII$$dMNT$$dBCO$$dWVU$$dOCLCO$$dOCLCA$$dGWL$$dOCLCO$$dLMR$$dIL4J6$$dMVU$$dOCLCO$$dGBM$$dGYG$$dF3N$$dZRS$$dWTU$$dCARCL$$dPLL$$dCANPU$$dHMS$$dICC$$dCTU$$dOCLCO$$dORE$$dEMRUN$$dCNGUL$$dOCLCA
001492494 042__ $$apcc
001492494 043__ $$an-us---
001492494 049__ $$aISEA
001492494 05000 $$aE441$$b.A15 2021
001492494 05004 $$aE441.A15$$bS59 2021
001492494 08200 $$a973$$223
001492494 1300_ $$a1619 Project (Hannah-Jones)
001492494 24514 $$aThe 1619 Project :$$ba new origin story /$$cedited by Nikole Hannah-Jones, Caitlin Roper, Ilena Silverman, and Jake Silverstein.
001492494 2463_ $$aSixteen Hundred Nineteen Project
001492494 2463_ $$aSixteen Nineteen Project
001492494 250__ $$aFirst edition.
001492494 264_1 $$aNew York :$$bOne World,$$c[2021]
001492494 264_4 $$c©2021
001492494 300__ $$axxxiii, 590 pages :$$billustrations, portraits ;$$c24 cm
001492494 336__ $$atext$$btxt$$2rdacontent
001492494 336__ $$astill image$$bsti$$2rdacontent
001492494 337__ $$aunmediated$$bn$$2rdamedia
001492494 338__ $$avolume$$bnc$$2rdacarrier
001492494 500__ $$a"Created by Nikole Hannah-Jones, winner of the Pulitzer Prize, & The New York Times magazine"--Book jacket.
001492494 504__ $$aIncludes bibliographical references (pages 495-550) and index.
001492494 50500 $$gPreface:$$tOrigins /$$rby Nikole Hannah-Jones --$$tThe white lion /$$rpoem by Claudia Rankine --$$gChapter 1.$$tDemocracy /$$rby Nikole Hannah-Jones --$$tDaughters of azimuth /$$rpoem by Nikky Finney --$$tLoving me /$$rpoem by Vievee Francis --$$gChapter 2.$$tRace /$$rby Dorothy Roberts --$$tConjured /$$rpoem by Honorée Fanonne Jeffers --$$tA ghazalled sentence after "My people... Hold on" by Eddie Kendricks and the Negro Act of 1740 /$$rpoem by Terrance Hayes --$$gChapter 3.$$tSugar /$$rby Khalil Gibran Muhammad --$$tFirst to rise /$$rpoem by Yusef Komunyakaa --$$tProof [dear Phillis] /$$rpoem by Eve L. Ewing --$$gChapter 4.$$tFear /$$rby Leslie Alexander and Michelle Alexander --$$tFreedom is not for myself alone /$$rfiction by Robert Jones, Jr. --$$tOther persons /$$rpoem by Reginald Dwayne Betts --$$gChapter 5.$$tDispossession /$$rby Tiya Miles --$$tTrouble the water /$$rfiction by Barry Jenkins --$$tSold South /$$rfiction by Jesmyn Ward --$$gChapter 6.$$tCapitalism /$$rby Matthew Desmond --$$tFort Mose /$$rpoem by Tyehimba Jess --$$tBefore his execution /$$rpoem by Tim Seibles --$$gChapter 7.$$tPolitics /$$rby Jamelle Bouie --$$tWe as people /$$rpoem by Cornelius Eady --$$tA letter to Harriet Hayden /$$rmonologue by Lynn Nottage --$$gChapter 8.$$tCitizenship /$$rby Martha S. Jones --$$tThe camp /$$rfiction by Darryl Pinckney --$$tAn absolute massacre /$$rfiction by ZZ Packer --$$gChapter 9.$$tSelf-defense /$$rby Carol Anderson --$$tLike to the rushing of a mighty wind /$$rpoem by Tracy K. Smith --$$tNo car for colored [+] ladies (or, miss wells goes off [on] the rails) /$$rpoem by Evie Shockley --$$gChapter 10.$$tPunishment /$$rby Bryan Stevenson --$$tRace riot /$$rpoem by Forrest Hamer --$$tGreenwood /$$rpoem by Jasmine Mans --$$gChapter 11.$$tInheritance /$$rby Trymaine Lee --$$tThe new Negro /$$rpoem by A. Van Jordan --$$tBad blood /$$rfiction by Yaa Gyasi --$$gChapter 12.$$tMedicine /$$rby Linda Villarosa --$$t1955 /$$rpoem by Danez Smith --$$tFrom behind the counter /$$rfiction by Terry McMillan --$$gChapter 13.$$tChurch /$$rby Anthea Butler --$$tYouth Sunday /$$rpoem by Rita Dove --$$tOn "brevity" /$$rpoem by Camille T. Dungy --$$gChapter 14.$$tMusic /$$rby Wesley Morris --$$tQuotidian /$$rpoem by Natasha Trethewey --$$tThe panther is a virtual animal /$$rpoem by Joshua Bennett --$$gChapter 15.$$tHealthcare /$$rby Jeneen Interlandi --$$tUnbought, unbossed, unbothered /$$rfiction by Nafissa Thompson-Spires --$$tCrazy when you smile /$$rpoem by Patricia Smith --$$gChapter 16.$$tTraffic /$$rby Kevin M. Kruse --$$tRainbows aren't real, are they? /$$rfiction by Kiese Laymon --$$tA surname to honor their mother /$$rpoem by Gregory Pardlo --$$gChapter 17.$$tProgress /$$rby Ibram X. Kendi --$$tAt the Superdome after the storm has passed /$$rpoem by Clint Smith --$$tMother and son /$$rfiction by Jason Reynolds --$$gChapter 18.$$tJustice /$$rby Nikole Hannah-Jones --$$tProgress report /$$rpoem by Sonia Sanchez --$$gAcknowledgments --$$gNotes --$$gContributors --$$gCredits --$$gIndex.
001492494 5208_ $$a"The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur 'genius' and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culture, from voting, housing and health care, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to understand its powerful influence on our present, can we prepare ourselves for a more just future."--$$cProvided by the publisher.
001492494 61020 $$a1619 Project.
001492494 61022 $$a1619 Project.
001492494 650_0 $$aSlavery$$xPolitical aspects$$zUnited States$$xHistory.
001492494 650_0 $$aSlavery$$xEconomic aspects$$zUnited States$$xHistory.
001492494 650_0 $$aAfrican Americans$$xHistory.
001492494 650_0 $$aRacism against Black people$$zUnited States$$xHistory.
001492494 650_0 $$aAfrican Americans.
001492494 650_0 $$aAfrican Americans$$vLiterary collections.
001492494 650_0 $$aMedicine$$xHistory$$y17th century.
001492494 650_0 $$aRacism$$zUnited States$$xHistory.
001492494 65012 $$aBlack or African American
001492494 65022 $$aRacism
001492494 65022 $$aRace Relations
001492494 65022 $$aEnslavement.
001492494 65022 $$aHistory, 17th Century
001492494 651_0 $$aUnited States$$xRace relations.
001492494 651_0 $$aUnited States$$xCivilization$$xAfrican American influences.
001492494 651_0 $$aUnited States$$xCivilization.
001492494 651_2 $$aUnited States
001492494 655_2 $$aEssay
001492494 655_2 $$aPoetry
001492494 655_7 $$aEssays.$$2lcgft
001492494 655_7 $$aPoetry.$$2lcgft
001492494 655_7 $$aShort stories.$$2lcgft
001492494 7001_ $$aHannah-Jones, Nikole,$$ecreator,$$eeditor.
001492494 7001_ $$aRoper, Caitlin,$$eeditor.
001492494 7001_ $$aSilverman, Ilena,$$eeditor.
001492494 7001_ $$aSilverstein, Jake,$$eeditor.
001492494 7102_ $$aNew York Times Company.
001492494 77608 $$iOnline version:$$t1619 Project.$$dNew York : One World, [2021]$$z9780593230589$$w(DLC)  2021019867$$w(OCoLC)1250436937
001492494 852__ $$bgen
001492494 909CO $$ooai:library.usi.edu:1492494$$pGLOBAL_SET
001492494 980__ $$aBIB
001492494 980__ $$aBOOK
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