Cover
Series Information
Copyright Information
Contents
Sigla
Introduction
The Repertory
Chapter 1 Brief Historical Overview: Slavia Orthodoxa
Kievan Rus'
Chapter 2 Music The State of Byzantine Music at the End of the 10th Century
Its Slavic Reception
The Development of a Musical Culture in Rus'
Balkan Precursors
Possible Balkan Origins of the Kondakarian Antigraph: Two Theories
A Second Alternate Theory
The Zografski Trifolog or Draganov Menaion
Chapter 3 The Mechanics of Kondakarnoie Pienie: The Fostering of a Local Tradition

Kondakarnoie Pienie's Great Hyperstases: Possible Origins in Cheironomic Practices
Chapter 4 Liturgical Excurses and Context: The Byzantine Cathedral Ritual among the Slavs Liturgical Sources: Menaion and Typikon
A Brief Survey
Menaion
Typikon
The Typikon of Constantinople's Great Church
Chant Development under Studite Liturgical Authority: The Studite Family of Ordinals and Slavic Liturgical Praxis
The Sources
a. The Southern Italian Family of Typika
b. The Typikon of Evergetis Theotokos
c. The Typikon of Alexis Studite
Old Church Slavonic (TAS-OCS)

3. The Lavrsky (LK), Uspensky (UK), and Sinodal'ny Kondakaria (SK)
OIDR 107
Chapter 6 On the Continuing Role of Oral Tradition in Chant Transmission: An Enduring Impediment to the Practical Reconstruction of the Repertory
Performance Practice
Antiphonal or Responsorial
The Refrain, Congregational Participation and Cheironomy
Stational or Session
Performance Style: Perissé
Paraliturgical Usage Rubrical Evidence
Kolyadki
Chapter 7 Liturgical Discourse on the Sung Numbers
Performance, Liturgical Placement and Historical Context of the Sung Numbers