Linked e-resources
Details
Table of Contents
Cover
Contents
An Introduction in Retrospect / David LaRocca
Inventory as Itinerary / Garrett Stewart
TexTcerpts / Garrett Stewart
I. DICKENS AS PROMPT TEXT
1 / Trials-and Test Sites Dickens and the Trials of Imagination (1974)
2 / Death Sentencing and Narrative Parole Death Sentences: Styles of Dying in British Fiction (1984)
II. READING IN, READING OUT
3 / Literary Graphonics Reading Voices: Literature and the Phonotext (1990)
4 / Re: Reading Under Address Dear Reader: The Conscripted Audience in Nineteenth-CenturyBritish Fiction (1996)
III. DISCIPLINE BRIDGING
5 / From Imprint to Motion Picture Between Film and Screen: Modernism's Photo Synthesis (1999)
6 / Pages Painted, Writing Withdrawn The Look of Reading: Book, Painting, Text (2006)
7 / From Celluloid to Digitime Framed Time: Toward a Postfilmic Cinema (2007)
IV. CONVERGENCES: MEDIATION REVISITED
8 / Mapping the Narrative Substrate Novel Violence: A Narratography of Victorian Fiction (2009)
9 / Reading Foreclosed/Text Reinvented Bookwork: Medium to Object to Concept to Art (2011)
10 / The Narrative Optics of Surveillancinema Closed Circuits: Screening Narrative Surveillance (2015)
V. MEDIUM, PHILOSOPHY, CONCEPT
11 / Textual Act as Contract The Deed of Reading: Literature * Writing * Language *Philosophy (2015)
12 / Material Transference and Medial Merger Transmedium: Conceptualism 2.0 and the New Object Art (2017)
VI. READING STYLE / STYLES OF READING
13 / Verbal Expenditures, Narrative Dividends The Value of Style in Fiction (2018)
14 / The Dickens Page, In and Out Loud The One, Other, and Only Dickens (2018)
15 / Bookhood in Evolution Book, Text, Medium: Cross-Sectional Reading for aDigital Age (2020)
VII. KINETIC TEXTUALITY
16 / Cinemachination and the Legible Apparatus Cinemachines: An Essay on Media and Method (2020)
17 / Museum Screens Cinesthesia: Museum Cinema and the Curated Screen (2021)
18 / Toward a Cinematographic Sentence The Ways of the Word: Episodes in Verbal Attention (2022)
VIII. AUDIOVISUAL MIRRORS: SCREENING TEXT AND VOICE
19 / Reflex Reading The Metanarrative Hall of Mirrors: Reflex Action in Fictionand Film (2022)
20 / The Legible Voice Streisand: The Mirror of Difference (2023)
IX. AUDIOPTICS
X. COVERAGE
A Dialogue on Critical Conversation
Terms of Use: Coinages Cashed Out-A Selective Glossary
Timelines: A Topographical Bibliography
Acknowledgments
Contributors
Contents
An Introduction in Retrospect / David LaRocca
Inventory as Itinerary / Garrett Stewart
TexTcerpts / Garrett Stewart
I. DICKENS AS PROMPT TEXT
1 / Trials-and Test Sites Dickens and the Trials of Imagination (1974)
2 / Death Sentencing and Narrative Parole Death Sentences: Styles of Dying in British Fiction (1984)
II. READING IN, READING OUT
3 / Literary Graphonics Reading Voices: Literature and the Phonotext (1990)
4 / Re: Reading Under Address Dear Reader: The Conscripted Audience in Nineteenth-CenturyBritish Fiction (1996)
III. DISCIPLINE BRIDGING
5 / From Imprint to Motion Picture Between Film and Screen: Modernism's Photo Synthesis (1999)
6 / Pages Painted, Writing Withdrawn The Look of Reading: Book, Painting, Text (2006)
7 / From Celluloid to Digitime Framed Time: Toward a Postfilmic Cinema (2007)
IV. CONVERGENCES: MEDIATION REVISITED
8 / Mapping the Narrative Substrate Novel Violence: A Narratography of Victorian Fiction (2009)
9 / Reading Foreclosed/Text Reinvented Bookwork: Medium to Object to Concept to Art (2011)
10 / The Narrative Optics of Surveillancinema Closed Circuits: Screening Narrative Surveillance (2015)
V. MEDIUM, PHILOSOPHY, CONCEPT
11 / Textual Act as Contract The Deed of Reading: Literature * Writing * Language *Philosophy (2015)
12 / Material Transference and Medial Merger Transmedium: Conceptualism 2.0 and the New Object Art (2017)
VI. READING STYLE / STYLES OF READING
13 / Verbal Expenditures, Narrative Dividends The Value of Style in Fiction (2018)
14 / The Dickens Page, In and Out Loud The One, Other, and Only Dickens (2018)
15 / Bookhood in Evolution Book, Text, Medium: Cross-Sectional Reading for aDigital Age (2020)
VII. KINETIC TEXTUALITY
16 / Cinemachination and the Legible Apparatus Cinemachines: An Essay on Media and Method (2020)
17 / Museum Screens Cinesthesia: Museum Cinema and the Curated Screen (2021)
18 / Toward a Cinematographic Sentence The Ways of the Word: Episodes in Verbal Attention (2022)
VIII. AUDIOVISUAL MIRRORS: SCREENING TEXT AND VOICE
19 / Reflex Reading The Metanarrative Hall of Mirrors: Reflex Action in Fictionand Film (2022)
20 / The Legible Voice Streisand: The Mirror of Difference (2023)
IX. AUDIOPTICS
X. COVERAGE
A Dialogue on Critical Conversation
Terms of Use: Coinages Cashed Out-A Selective Glossary
Timelines: A Topographical Bibliography
Acknowledgments
Contributors