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Table of Contents
Half Title
Series Information
Title Page
Copyright Page
Contents
Acknowledgements
Tables and Illustrations
Notes on Previously Published Material
Prologue
Chapter 1 The Stravinsky Legacy?
1 'Time' for a New Legacy?
Chapter 2 Being and Time: A Nightingale Sings …
1 Stravinsky's Spirituality …
2 … and Musical Inheritance
3 Temporality in Znamenny Chant
4 Resonance
5 Le Rossignol (1908-14)
Chapter 3 From Now to Eternity
1 Petrushka (1911)
2 Zvezdoliki (1911)
2.1 Stravinsky and the Old Believers
2.2 Time Qualities in Zvezdoliki
Chapter 4 A Russian Spring
1 Time as a Mental Construct
2 The Rite of Spring
3 Time Qualities in The Rite of Spring
Chapter 5 A Japanese Spring
Chapter 6 Heaven and Earth
1 The 025 Motif and Changing Time Qualities
Chapter 7 New Patterns for Old
1 Cortical Patterning
2 Three Pieces for String Quartet (1914)
3 Chant Dissident (1919)
4 Pulcinella (1919-20)
5 Symphonies of Wind Instruments (1920) and Cubism
6 Symphonies of Wind Instruments (1920): Temporal Form
7 Time and Form: Jacques Maritain
Chapter 8 Time for Pushkin
Chapter 9 The Object Is Time
1 Mental Imaging
2 Octet (1923)
3 Oedipus Rex (1926)
4 Apollo (1928)
5 Lourié's Understanding of Stravinsky
Chapter 10 A Journey to Hyperspace
1 1st Movement
2 2nd Movement
3 3rd Movement
4 Music as a Higher Brain Function
Chapter 11 Faith Matters
1 Pater Noster (1926)
2 Russian Credo (1932)
3 Ave Maria (1934)
4 Tests of Faith
5 Perséphone (1933)
6 Darker Times
7 Babel (1944)
8 Mass (1944-48)
8.1 Kyrie
8.2 Gloria
8.3 Credo
8.4 Sanctus
8.5 Agnus Dei
9 The Poetics of Stravinsky and Maritain
Chapter 12 A Matter of Time
Chapter 13 Stravinsky, Schoenberg and God
1 Belief in Divine Authority.
2 Belief in the Hebrew God
3 Belief in Biblical Mythology
4 Belief in Catholic Culture
5 Devotion to The Word
6 Synthesis
Chapter 14 New Wine
1 Cantata (1952)
2 Stravinsky, Webern and God
3 Canticum Sacrum (1955)
4 Threni (1958)
4.1 De Elegia Prima
4.2 De Elegia Tertia
4.3 De Elegia Quinta
Chapter 15 Late Harvest
1 A Sermon, A Narrative and A Prayer (1961)
1.1 A Sermon
1.2 A Narrative
1.3 A Prayer
2 Two Bible Stories: The Flood (1962) and Abraham and Isaac (1963)
3 The Flood (1962)
4 Abraham and Isaac (1962-3)
5 Requiem Canticles (1966)
5.1 Prelude
5.2 Exaudi
5.3 Dies Irae
5.4 Tuba Mirum
5.5 Interlude
5.6 Rex Tremendae
5.7 Lacrimosa
5.8 Libera Me
5.9 Postlude
Epilogue
Appendix 1 Victor Ivanovitch Nesmelov: The Science of Man
Appendix 2 Gisèle Brelet
Bibliography
Index.
Series Information
Title Page
Copyright Page
Contents
Acknowledgements
Tables and Illustrations
Notes on Previously Published Material
Prologue
Chapter 1 The Stravinsky Legacy?
1 'Time' for a New Legacy?
Chapter 2 Being and Time: A Nightingale Sings …
1 Stravinsky's Spirituality …
2 … and Musical Inheritance
3 Temporality in Znamenny Chant
4 Resonance
5 Le Rossignol (1908-14)
Chapter 3 From Now to Eternity
1 Petrushka (1911)
2 Zvezdoliki (1911)
2.1 Stravinsky and the Old Believers
2.2 Time Qualities in Zvezdoliki
Chapter 4 A Russian Spring
1 Time as a Mental Construct
2 The Rite of Spring
3 Time Qualities in The Rite of Spring
Chapter 5 A Japanese Spring
Chapter 6 Heaven and Earth
1 The 025 Motif and Changing Time Qualities
Chapter 7 New Patterns for Old
1 Cortical Patterning
2 Three Pieces for String Quartet (1914)
3 Chant Dissident (1919)
4 Pulcinella (1919-20)
5 Symphonies of Wind Instruments (1920) and Cubism
6 Symphonies of Wind Instruments (1920): Temporal Form
7 Time and Form: Jacques Maritain
Chapter 8 Time for Pushkin
Chapter 9 The Object Is Time
1 Mental Imaging
2 Octet (1923)
3 Oedipus Rex (1926)
4 Apollo (1928)
5 Lourié's Understanding of Stravinsky
Chapter 10 A Journey to Hyperspace
1 1st Movement
2 2nd Movement
3 3rd Movement
4 Music as a Higher Brain Function
Chapter 11 Faith Matters
1 Pater Noster (1926)
2 Russian Credo (1932)
3 Ave Maria (1934)
4 Tests of Faith
5 Perséphone (1933)
6 Darker Times
7 Babel (1944)
8 Mass (1944-48)
8.1 Kyrie
8.2 Gloria
8.3 Credo
8.4 Sanctus
8.5 Agnus Dei
9 The Poetics of Stravinsky and Maritain
Chapter 12 A Matter of Time
Chapter 13 Stravinsky, Schoenberg and God
1 Belief in Divine Authority.
2 Belief in the Hebrew God
3 Belief in Biblical Mythology
4 Belief in Catholic Culture
5 Devotion to The Word
6 Synthesis
Chapter 14 New Wine
1 Cantata (1952)
2 Stravinsky, Webern and God
3 Canticum Sacrum (1955)
4 Threni (1958)
4.1 De Elegia Prima
4.2 De Elegia Tertia
4.3 De Elegia Quinta
Chapter 15 Late Harvest
1 A Sermon, A Narrative and A Prayer (1961)
1.1 A Sermon
1.2 A Narrative
1.3 A Prayer
2 Two Bible Stories: The Flood (1962) and Abraham and Isaac (1963)
3 The Flood (1962)
4 Abraham and Isaac (1962-3)
5 Requiem Canticles (1966)
5.1 Prelude
5.2 Exaudi
5.3 Dies Irae
5.4 Tuba Mirum
5.5 Interlude
5.6 Rex Tremendae
5.7 Lacrimosa
5.8 Libera Me
5.9 Postlude
Epilogue
Appendix 1 Victor Ivanovitch Nesmelov: The Science of Man
Appendix 2 Gisèle Brelet
Bibliography
Index.