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Contents
Acknowledgments
1. Dakar, 1974: The Politics of Setting and Film Production
2. Africanity ` Africa: For an African Third Cinema
3. Defetishising the Fetish
4. The Fading Father, or The Future is Feminist
5. Resisting the Narrative Curse: Countermoves and Counter-Spaces
6. From Evian to Sputum: Abjection as Redemption
Epilogue: The Legacy of Xala
Notes
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