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Opening Art 1. Response to Mary Butts, inspired by Jean Cocteau / Lupe Núñez-Fernández
Opening Art 2. Response to cover art for Ashe of Rings, inspired by Salterns / Lupe Núñez Fernández
Foreword. Danny Israel
Introduction through a series of Letters / Joel Hawkes
(Knight's move) Reimagined letters, and the making of an artist's book edition of Mary Butts's Imaginary letters / Tim Hopkins
(Response) Reimagining Mary Butts's Queer Imaginary letters as artist book / Jane Garrity
(Classical) (Re)constructions of gender, time, and space, with the medium as guide / Jenna Marco
(Response) Mary Butts's mediums and models of popular female authorship / Indu Ohri
(Knight's move) A year at Salterns / Leigh Rocha, current owner of Salterns and primary school teacher
(Response) A house removed from history / Stanislava Dikova
(Classical) Rights, property, and preservation in Mary Butts's Armed with madness / Stanislava Dikova
(Response) "Rights, property, and preservation in Mary Butts's Armed with madness / Sanna Melin Schyllert
(Classical) I like Mary Butts (and I cannot lie) / Stephen Ross
(Response) "I Like Mary Butts (and I cannot lie)" / Roslyn Reso Foy
(Knight's move) Mary Butts, her work and papers, and an interview with Camilla Bagg / Roslyn Reso Foy
(Response) What it means to own a text / Tim Hopkins
(Classical) "He is glad to think of me tied to the soil at last." Mary Butts and the motherhood problem / Sanna Melin Schyllert
(Response) Mary Butts & the motherhood problem / Leigh Rocha
(Classical) "Queer devils" and "beastly indulgences" in Mary Butts's Unborn gods / Jane Garrity
(Response) Jane Garrity's "'Queer devils' and 'beastly indulgences' : Mary Butts's Unborn gods" / Jenna Marco
(Knight's move) Who's afraid of Mary Butts?/ Bruce McPherson
(Response) (Re)discovering Mary / Joel Hawkes
(Classical) Reconstructing Miltonic elegies and Freudian coincidences. Mary Butts's Queer theory of signatures in her Cornish stories / Indu Ohri
(Response) "Signatures of all things visible which I am here to read" / Stephen Ross
Afterword / Andrew Radford
Closing Art. Response to cover art of Armed with Madness / Lupe Núñez-Fernández.
Opening Art 2. Response to cover art for Ashe of Rings, inspired by Salterns / Lupe Núñez Fernández
Foreword. Danny Israel
Introduction through a series of Letters / Joel Hawkes
(Knight's move) Reimagined letters, and the making of an artist's book edition of Mary Butts's Imaginary letters / Tim Hopkins
(Response) Reimagining Mary Butts's Queer Imaginary letters as artist book / Jane Garrity
(Classical) (Re)constructions of gender, time, and space, with the medium as guide / Jenna Marco
(Response) Mary Butts's mediums and models of popular female authorship / Indu Ohri
(Knight's move) A year at Salterns / Leigh Rocha, current owner of Salterns and primary school teacher
(Response) A house removed from history / Stanislava Dikova
(Classical) Rights, property, and preservation in Mary Butts's Armed with madness / Stanislava Dikova
(Response) "Rights, property, and preservation in Mary Butts's Armed with madness / Sanna Melin Schyllert
(Classical) I like Mary Butts (and I cannot lie) / Stephen Ross
(Response) "I Like Mary Butts (and I cannot lie)" / Roslyn Reso Foy
(Knight's move) Mary Butts, her work and papers, and an interview with Camilla Bagg / Roslyn Reso Foy
(Response) What it means to own a text / Tim Hopkins
(Classical) "He is glad to think of me tied to the soil at last." Mary Butts and the motherhood problem / Sanna Melin Schyllert
(Response) Mary Butts & the motherhood problem / Leigh Rocha
(Classical) "Queer devils" and "beastly indulgences" in Mary Butts's Unborn gods / Jane Garrity
(Response) Jane Garrity's "'Queer devils' and 'beastly indulgences' : Mary Butts's Unborn gods" / Jenna Marco
(Knight's move) Who's afraid of Mary Butts?/ Bruce McPherson
(Response) (Re)discovering Mary / Joel Hawkes
(Classical) Reconstructing Miltonic elegies and Freudian coincidences. Mary Butts's Queer theory of signatures in her Cornish stories / Indu Ohri
(Response) "Signatures of all things visible which I am here to read" / Stephen Ross
Afterword / Andrew Radford
Closing Art. Response to cover art of Armed with Madness / Lupe Núñez-Fernández.