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Table of Contents
Varieties of post-positivism : pragmatism and romanticism
"The powerful, dual-functioning part" : romantic subjectivity in David Foster Wallace and Mark Costello's Signifying rappers
'Looking' in 'horror' or 'ecstasy' : romantic desire in David Markson's Wittgenstein's mistress
Brechtian rhetoric and Bret Easton Ellis's American psycho
Aporia in David Foster Wallace's Infinite jest
"The great unequivocal international gestures" : Benjaminian Gestus in Zadie Smith's The autograph man
Epilogue : breathing with Wallace.
"The powerful, dual-functioning part" : romantic subjectivity in David Foster Wallace and Mark Costello's Signifying rappers
'Looking' in 'horror' or 'ecstasy' : romantic desire in David Markson's Wittgenstein's mistress
Brechtian rhetoric and Bret Easton Ellis's American psycho
Aporia in David Foster Wallace's Infinite jest
"The great unequivocal international gestures" : Benjaminian Gestus in Zadie Smith's The autograph man
Epilogue : breathing with Wallace.