001557885 000__ 03606cam\\2200709\i\4500
001557885 001__ 1557885
001557885 003__ OCoLC
001557885 005__ 20240904003336.0
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001557885 008__ 240301s2024\\\\mau\\\\\ob\\\\001\0\eng\d
001557885 010__ $$a  2023052595
001557885 019__ $$a1423131311
001557885 020__ $$a9780262379236$$qelectronic book
001557885 020__ $$a0262379236$$qelectronic book
001557885 020__ $$a9780262379229$$qelectronic book
001557885 020__ $$a0262379228$$qelectronic book
001557885 020__ $$z9780262548724$$qpaperback
001557885 035__ $$a(OCoLC)1428716072$$z(OCoLC)1423131311
001557885 040__ $$aDLC$$beng$$erda$$cDLC$$dOCLCO$$dEBLCP$$dOCLCQ$$dOCLCO$$dOCLCQ$$dYDX$$dOCLCQ$$dN$T$$dYDX$$dOCLCO
001557885 042__ $$apcc
001557885 043__ $$an-us---
001557885 049__ $$aISEA
001557885 05004 $$aCD973.2$$b.C58 2024
001557885 08200 $$a929.1072$$223/eng/20240402
001557885 1001_ $$aClement, Tanya Elizabeth,$$eauthor.$$1https://id.oclc.org/worldcat/entity/E39PCjwYWQH9TbMGtC4MrvvDmb
001557885 24510 $$aDissonant records :$$bclose listening to literary archives /$$cTanya E. Clement.
001557885 264_1 $$aCambridge, Massachusetts :$$bThe MIT Press,$$c[2024]
001557885 300__ $$a1 online resource.
001557885 336__ $$atext$$btxt$$2rdacontent
001557885 337__ $$acomputer$$bc$$2rdamedia
001557885 338__ $$aonline resource$$bcr$$2rdacarrier
001557885 4901_ $$aMedia origins
001557885 504__ $$aIncludes bibliographical references and index.
001557885 5050_ $$aIntroduction. Records and Resonance in the Archives -- Amplify : Close Listening to Silencing and the 1921 Tulsa Race Massacre -- Distortion : Authority, Authenticity, and Agency in Recordings of Zora Neale Hurston's Black Folk -- Interference : Silence and the Ideal Listener in Ralph Ellison's American Novel -- Compression : Self-Expression and the Entelechy of Finitude in Anne Sexton's Poem 'For the Year of the Insane' -- Reception : Conocimiento in Gloria Anzaldúa's Spirituality Recordings -- Coda. Distant Listening and Resonance.
001557885 520__ $$a"Disonant Records is an intermedia genealogy that considers the social and technical contexts of archival recordings, and the role silence plays in history as a conduit of dissonance or resistance within and beyond established academic, government, and cultural heritage institutions"--$$cProvided by publisher.
001557885 588__ $$aOCLC-licensed vendor bibliographic record.
001557885 60010 $$aHurston, Zora Neale$$xArchives.$$0(OCoLC)oca00318891
001557885 60010 $$aEllison, Ralph$$xArchives.$$0(OCoLC)oca00045540
001557885 60010 $$aSexton, Anne,$$d1928-1974$$xArchives.$$0(DLC)nb 90003908
001557885 60010 $$aAnzaldúa, Gloria$$xArchives.$$0(OCoLC)oca00681283
001557885 650_6 $$aLittérature$$xFonds d'archives.
001557885 650_6 $$aArchives sonores$$xAspect social.
001557885 650_6 $$aLittérature$$xRecherche.
001557885 650_6 $$aÉcoute (Psychologie)$$xAspect social.
001557885 650_6 $$aIntermédialité.
001557885 650_0 $$aLiterature$$xArchival resources.
001557885 650_0 $$aSound archives$$xSocial aspects.
001557885 650_0 $$aLiterature$$xResearch.
001557885 650_0 $$aListening$$xSocial aspects.
001557885 650_0 $$aIntermediality.$$0(DLC)sh2007010851
001557885 655_0 $$aElectronic books.
001557885 77608 $$iPrint version:$$aClement, Tanya Elizabeth.$$tDissonant records$$dCambridge, Massachusetts : The MIT Press, 2024$$z9780262548724$$w(DLC)  2023052594
001557885 830_0 $$aMedia origins.
001557885 852__ $$bebk
001557885 85640 $$3MIT Press$$uhttps://doi.org/10.7551/mitpress/14976.001.0001$$zOnline Access$$zOnline Access through The MIT Press Direct
001557885 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
001557885 909CO $$ooai:library.usi.edu:1557885$$pGLOBAL_SET
001557885 980__ $$aBIB
001557885 980__ $$aEBOOK
001557885 982__ $$aEbook
001557885 983__ $$aOnline