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Machine generated contents note: Table of Contents Foreword by Cláudio Carvalhaes
Acknowledgments
Introduction: Why Theopoetics, Why in Color? by Oluwatomisin Olayinka Oredein
Part 1: Performance and Voice
1. Cyborgs and Future Wars: A Revolutionary's Guide to Living in Liberation by Patrick B. Reyes
2. Fleshly Theopoetics: Performance as Resistance in the Theological Academy by Lis Valle-Ruiz
3. Toward a Theopoetic Wholeness: A Womanist Reflection in the Theological Academy by Lakisha R. Lockhart-Rusch
Part 2: Methods and Inquiries
4. Listening Theopoetically: Methods and Approaches for Researching with a Theopoetic Ear by Tiffany U. Trent
5. A Theopoetic Method: Four Movements by Tamisha A. Tyler
6. Theoespíritu as Pedagogy: Un Jale Bruto by Carolina Hinojosa-Cisneros
Part 3: Interlocutors
7. Imaging Loss and Longing: Doris Salcedo's Art and the Power of Collective Testimony by Yohana Agra Junker
8. Somethin' Like Sanctified: Theopoetics, Black Music, and the Strangeness of Estrangement by James Howard Hill Jr.
9. "In the Dark We Can All Be Free": The Sacralizing Vision of Alvin Baltrop by Peace Pyunghwa Lee
10. God-Talk and Lorde-Speak: Audre Lorde and Inappropriate Theopoetics by Oluwatomisin Olayinka Oredein
Part 4: Hermeneutics, Proclamation, and Claim
11. Potluck Theology: A Theopoetic of Fullness by Joyce del Rosario
12. "Mi Abuela Decía . . .": Inheriting Life and Faith through Popular Refrains by Yara González-Justiniano
13. We with God: An (A)Systematic Theology in Five Parts by Brian Bantum
Conclusion: Now Theopoetics, in Living Color by Lakisha R. Lockhart-Rusch
Contributors
Index .

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