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Introduction
Part I. Genetic formalism : a theory and its histories. Old historicism, new criticism, and the feeling in form; Arthur Hallam and the origins of rhyme
Part II. Historiographic forms. Alfred Tennyson's lyric stanza; Elizabeth Barrett Browning's unblank verse; William Morris's fleshly rhymes; Coventry Patmore's passionate pause
Conclusion : the spirit of romance.

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