Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era.

Cover
Table of Contents
Acknowledgements
A Note on Romanization
1. Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema
2. The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013)
3. The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017)
4. A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018)
5. The Queer Gaze across the Gay-Straight Generational Divide: Small Talk (2016) and A Dog Barking at the Moon (2019)
6. The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020)
7. Oppositional Optics: The View from Hong Kong
8. From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013)
9. Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)
10. Conclusion: The View from the Chinese Diaspora in The Farewell (2019)
Bilingual Filmography
Bibliography
Index.