Typologies of humor in African literatures / Adwoa A. Opoku-Agyemang.
2024
PL8010 .O66 2024
Formats
| Format | |
|---|---|
| BibTeX | |
| MARCXML | |
| TextMARC | |
| MARC | |
| DublinCore | |
| EndNote | |
| NLM | |
| RefWorks | |
| RIS |
Cite
Citation
Linked e-resources
Linked Resource
Details
Title
Typologies of humor in African literatures / Adwoa A. Opoku-Agyemang.
ISBN
9780472221868 electronic book
0472221868 electronic book
9780472077038 hardcover
0472077031 hardcover
9780472057030 paperback
0472057030 paperback
0472221868 electronic book
9780472077038 hardcover
0472077031 hardcover
9780472057030 paperback
0472057030 paperback
Published
Ann Arbor : University of Michigan Press, 2024.
Copyright
©2024
Language
English
Description
1 online resource (183 pages).
Item Number
10.3998/mpub.12876792 doi
Call Number
PL8010 .O66 2024
Dewey Decimal Classification
809/./917096
Summary
Typologies of Humor in African Literatures is a study on the use of humor and comedy in African literary texts across the twentieth century. Despite humor being omnipresent in African societies and their literatures, discussions of contemporary African literature have largely dismissed it as being too lighthearted compared to the more serious issues of post-colonial history, class inequality, and politics. Adwoa A. Opoku-Agyemang, while acknowledging the seriousness of the subject matter, establishes humor as an essential component of African fiction. The book analyzes four comedic archetypes: the Trickster, who is unapologetically amoral and entertaining; the Mimic, whose everyday dealings exude ambiguity; the Interpreter, who demonstrates the comic potential of language differences while showing how a single message can mean contrasting things; and the Deviant, who throws norms into question all the while reinforcing them. These character types and the humor they produce present a constant pursuit of balance between contrasting worldviews and frames of reference within the imbrication of different languages, classes, political factions, genders, and (un)officialdoms. The product of these rowdy relations are people who take the weirdness and run with it to generate diegetic and intradiegetic laughs. By analyzing Francophone and Anglophone African writing and how it overlays local languages, Opoku-Agyemang contributes a uniquely African voice to the primarily Western-dominated field of humor studies.
Bibliography, etc. Note
Includes bibliographical references and index.
Access Note
Access limited to authorized users.
Source of Description
Description based on online resource; title from digital title page (viewed on August 30, 2024).
Added Corporate Author
Series
African perspectives (University of Michigan. Press)
Available in Other Form
Linked Resources
Record Appears in