Format | |
---|---|
BibTeX | |
MARCXML | |
TextMARC | |
MARC | |
DublinCore | |
EndNote | |
NLM | |
RefWorks | |
RIS |
Linked e-resources
Details
Table of Contents
Introduction: Mapping the Maximalist Novel
1. See the Whole World, Come See Everything! Midnight's Children and the Postcolonial Cultural Industry
2. Certainty in its Purest Form: Globalization, Fundamentalism, and Narrative in White Teeth
3. It Shouldn't Produce No Pretty Sentence, Ever: Violence and Aesthetics in A Brief History of Seven Killings
4. The Pursuit of Knowledge: The Paradoxes of Postcolonial Encyclopedism in In the Light of What We Know
5. Two Dumb Inertias: The Uneven Drift of Globalization in The Old Drift
Conclusion: The Future of Maximalist Fiction.
1. See the Whole World, Come See Everything! Midnight's Children and the Postcolonial Cultural Industry
2. Certainty in its Purest Form: Globalization, Fundamentalism, and Narrative in White Teeth
3. It Shouldn't Produce No Pretty Sentence, Ever: Violence and Aesthetics in A Brief History of Seven Killings
4. The Pursuit of Knowledge: The Paradoxes of Postcolonial Encyclopedism in In the Light of What We Know
5. Two Dumb Inertias: The Uneven Drift of Globalization in The Old Drift
Conclusion: The Future of Maximalist Fiction.