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Table of Contents
Intro
Contents
Acknowledgements
Introduction
1 Brotherhoods
Ideological brotherhoods
Pragmatic brotherhoods
2 Affective Affinities
Affective relations: an undeclared counterculture
Male homosociality and homosexuality
Bloomsbury: friendship, art and amateurism
Association, politics and culture in France
3 Bohemians and Avant-Gardes
From art as a way of life to art as a way of working
Professions and professionalisms
Bohemia after the avant-garde
4 Paris: Towards the Avant-Garde
Contesting academic hegemonies in education and exhibition
Académies libres: incubating the avant-garde
Impressionism's exhibitions: a halfway house?
Dealers and petites revues: an emerging infrastructure
5 Paris: The Avant-Garde's Alternative Professionalism
Aesthetic agonistics
An independent heritage
A collective identity
6 Paris: Consolidating the Avant-Garde, 1905-14
Painting as technie
Professionalism, competition, diversification
Professionalism and politics
7 London before 1912: A Pre-Avant-Garde Conjuncture
London art and the lure of Paris
The Grosvenor Gallery: aristocrats, amateurs and aesthetes
Bohemian socialities and their differentials
8 London: Amateurism, Professionalism and Friendship
Augustus John: bohemianism, the Slade and anti-professionalism
Walter Sickert: professionalism and craft, from Paris to Camden Town
Bloomsbury: Francophilia and misrecognition
9 Aristocratic Aspirations: London 'Society' between the Bourgeoisie and Bohemia
A declining aristocracy: anxiety and assimilation
Patronage and the performance of identity
Staging avant-gardehood
10 London's Avant-Garde Moment: Paris, Avant-Gardehood and 'Futurism', 1912-15
London's little magazines: on art and the assimilation of Paris.
The Cave of the Golden Calf: consumerism, class and performance
The challenge of Futurism
Coda: Into the Future
Notes
Select Bibliography
Plates Section
Index
Picture Credits.
Contents
Acknowledgements
Introduction
1 Brotherhoods
Ideological brotherhoods
Pragmatic brotherhoods
2 Affective Affinities
Affective relations: an undeclared counterculture
Male homosociality and homosexuality
Bloomsbury: friendship, art and amateurism
Association, politics and culture in France
3 Bohemians and Avant-Gardes
From art as a way of life to art as a way of working
Professions and professionalisms
Bohemia after the avant-garde
4 Paris: Towards the Avant-Garde
Contesting academic hegemonies in education and exhibition
Académies libres: incubating the avant-garde
Impressionism's exhibitions: a halfway house?
Dealers and petites revues: an emerging infrastructure
5 Paris: The Avant-Garde's Alternative Professionalism
Aesthetic agonistics
An independent heritage
A collective identity
6 Paris: Consolidating the Avant-Garde, 1905-14
Painting as technie
Professionalism, competition, diversification
Professionalism and politics
7 London before 1912: A Pre-Avant-Garde Conjuncture
London art and the lure of Paris
The Grosvenor Gallery: aristocrats, amateurs and aesthetes
Bohemian socialities and their differentials
8 London: Amateurism, Professionalism and Friendship
Augustus John: bohemianism, the Slade and anti-professionalism
Walter Sickert: professionalism and craft, from Paris to Camden Town
Bloomsbury: Francophilia and misrecognition
9 Aristocratic Aspirations: London 'Society' between the Bourgeoisie and Bohemia
A declining aristocracy: anxiety and assimilation
Patronage and the performance of identity
Staging avant-gardehood
10 London's Avant-Garde Moment: Paris, Avant-Gardehood and 'Futurism', 1912-15
London's little magazines: on art and the assimilation of Paris.
The Cave of the Golden Calf: consumerism, class and performance
The challenge of Futurism
Coda: Into the Future
Notes
Select Bibliography
Plates Section
Index
Picture Credits.