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Intro
Contents
Acknowledgements
Figures
Notes on the Editors
Notes on the Contributors
1 Introduction: The Performance of Forgery
2 Forgery, Audience and Authentication: Icelandic Agreements of the Fifteenth Century
3 All That Glitters Is Not Gold: False Jewellery and Its Juridical Regulation in Italy between the Late Middle Ages and the Early Modern Period
4 Re-Forging a Forgery: The French Editions of Annius of Viterbo's Antiquitates
5 Prenatal Prophecies and Linguistic Ciphers: A Russian Political Forgery Devoted to the Autocratic Evil of Ivan the Terrible
6 Girolamo Baruffaldi as a Forger: The Case of Barbara Torelli
7 The Deceptive Power of a Monogram: Appropriating Dürer's Identity in the Sixteenth and Early Seventeenth Centuries
8 Mind Your U's and V's!: Counterfeiting Newspapers in Civil War Britain
9 The Theatre of Forgery: Curzio Inghirami (Volterra, 1614-1655) and Giorgio Grognet de Vassé (Malta, 1774-1862)
10 Sailing and Sinking on the Sea of Forgery:The Tradition of Fake Sagas in Seventeenth- and Eighteenth-Century Sweden and Denmark
11 Of Theatrical Illusion and Fake Advertisements: George Bickham the Younger, Samuel Foote and the Great Bottle Hoax of 1749
12 Counterfeiting Coins and Convict Transportation from England to Australia in the Eighteenth Century
Index Nominum.

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