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Table of Contents
Cover
Title Page
Copyright
Dedication
Contents
Acknowledgments
Introduction: The Tudor Play of Mind
I. Demonstrative and Explorative: Two Paradigms
II. The Moral Cultivation of Ambivalence
III. Propaedeutic for Drama: Questions as Fiction
IV. The Method Staged: Debate Plays by Heywood and Rastell
V. Terence and the Mimesis of Wit
VI. Inventing Answers in English Comedy
VII. Quaestiones Copiosae: Pastoral and Courtly in John Lyly
VIII. Seneca and the Declamatory Structure of Tragedy
IX. Tragic Perspectives Among the Elizabethans
X. "If Words Might Serve": Marlowe's Supposes
Conclusion
Index.
Title Page
Copyright
Dedication
Contents
Acknowledgments
Introduction: The Tudor Play of Mind
I. Demonstrative and Explorative: Two Paradigms
II. The Moral Cultivation of Ambivalence
III. Propaedeutic for Drama: Questions as Fiction
IV. The Method Staged: Debate Plays by Heywood and Rastell
V. Terence and the Mimesis of Wit
VI. Inventing Answers in English Comedy
VII. Quaestiones Copiosae: Pastoral and Courtly in John Lyly
VIII. Seneca and the Declamatory Structure of Tragedy
IX. Tragic Perspectives Among the Elizabethans
X. "If Words Might Serve": Marlowe's Supposes
Conclusion
Index.