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Cover
Half-Title Page
Title Page
Copyright Page
Contents
List of Illustrations
Acknowledgments
Introduction: The Poetics of the Imagined Stage
Part One: Alternate Theatricalities in Cervantes's Drama
1 Cervantes and the Simple Stage
2 Queer cambalaches in El rufián dichoso
3 Of Players and Wagers: The Theatricality of Gambling for Salvation in El rufián dichoso
4 Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato de Argel
5 Captivating Music, Memory, and Emotions in Los baños de Argel
6 In the Name of Love: Cervantes's Play on Captivity in La gran sultana
7 Revolving Sets: Spatial Revelations in the entremeses
Part Two: Acts of Disclosure in Cervantes's Prose
8 Coups de théâtre in the Novelas ejemplares
9 Captive Audiences: Performing Captivity in Cervantes's Prose Narrative
10 Painting into Theatre: "The Suicide of Lucretia" as a tableau vivant in El curioso impertinente
11 "Muchas y muy verdaderas señales": The Theatrics of Truth and Sincerity of Fiction in La Galatea
12 Eavesdropping or Spying? Secret Places and Spaces in Don Quixote
13 Don Quixote and the Performance of Aging Masculinities in Early Modern Spain
List of Contributors
Index
Series List.

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