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A World Apart : Contemporary Israeli Women's Cinema.

Munk, Yael.
2024
PN1993.5.I86
Available Online
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Title
A World Apart : Contemporary Israeli Women's Cinema.
Author
Munk, Yael.
Edition
1st ed.
ISBN
9781804416600
9781804416594
Published
Bradford : Ethics International Press Limited, 2024.
Copyright
©2024.
Language
English
Description
1 online resource (188 pages).
Call Number
PN1993.5.I86
Summary
Women have been present on the Israeli screen since its inception, but have never held a central role in the narrative. The first canonical Israeli woman filmmaker, Michal Bat Adam, released her first feature film Moments in 1979, that focused on a friendship between women, a theme unexplored until then in Israeli cinema, and it is today considered as the film that opened a way for female Israeli filmmakers to realize their experiences were worth telling. Since then there has been an increasing number of female Israeli filmmakers, primarily since the turn of the Millenium. A World Apart: Contemporary Israeli Women's Cinema is a book that explores the contributions of female Israeli filmmakers to contemporary Israeli cinema, providing an introductory background both historically and theoretically and an in-depth analysis of films produced in the 21st century. The book is divided into two parts: "Recurrent Themes and Expressions of Vulnerability in Israeli Women's Cinema" which discusses various issues in Israeli women's cinema, and "Leading Female Auteurs in Contemporary Israeli Cinema", which focuses on leading female filmmakers. The book aims to provide a comprehensive presentation and historical contextualization of contemporary Israeli women's cinema. The book is written for students and researchers in film, media, gender issues and related areas, yet employs a straightforward language that can be understood by a broader readership.
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A World Apart
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Intro
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Acknowledgments
Introduction: Women Filmmakers Apart
Part 1
Themes and Expressions of Vulnerability in Israeli Women's Cinema
Chapter 1
Far from the Eye, Far from the Heart: The Mizrahi Woman and the Development Town
Chapter 2
Blurred Memories of Sexual Assault: Invisible (Michal Aviad, 2012) and The Slut (Hagar Ben-Asher, 2012)
Chapter 3
Three Points of View on the Experience of Israeli Women in the Military: Vardit Bilu and Dalia Hager's Close to Home (2005), Tamar Yarom's To See If I'm Smiling (2007), and Talya Lavie's Zero Motivation (2014)
Chapter 4
The Ultra-Orthodox Feminine Experience: Mountain (2016)
Part 2:
Leading Female Auteurs in Contemporary Israeli Cinema
Chapter 5
Michal Bat-Adam: A Childhood That Never Ends
Chapter 6
Vulnerability, Compassion, and the Mizrahi Woman in Keren Yedaya's Or, My Treasure (2004), Jaffa (2009), That Lovely Girl (2014), and Red Fields (2019)
Chapter 7
Litigating Mizrahi Women's Liberation: Ronit and Shlomi Elkabetz's Trilogy (2004-2014)
Conclusion: Israeli Women Filmmakers Today
Bibliography
Filmography.

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