The Long Revolution : Sixty Years on the Frontlines of a New American Theater.

Intro
Title Page
Copyright
Dedication
Contents
Foreword by Nikkole Salter
Introduction by Todd London
Dedication by Zelda Fichandler
Institution as Artwork
Institution as Artwork
The Open Stage
Groundbreaking Ceremony
Why Theater?
Theater and Human Identity
Artists Set the Stage
To the Players
The Lying Game
To the Actors and Faculty
To the Faculty and Students
To the Actors on the Anniversary of 9/11
Playing
A Director's Notes
The Three Sisters by Anton Chekhov
A Doll House by Henrik Ibsen
The True Word: The Crucible by Arthur Miller
One Hand Away: Awake and Sing! by Clifford Odets
The Long Revolution
The Future of the Resident Professional Theater in America
Theaters or Institutions?
Arena at Twenty-Five
The Long Revolution
Beyond Black and White
Toward a Deepening Aesthetic
Casting for a Different Truth
A Program for Change
Our Town in Our Times
Creativity and the Public Mind
On Creativity
Creativity and the Public Mind
Profit/Nonprofit
On Risk and Money
Congressional Testimony: The Case for the NEA
A Hard Time for the High Arts
The Profit in Nonprofit
Whither (or Wither) Art?
The Company you Keep
Robert Prosky: At Twenty
A Tribute to Alan Schneider
Jane Alexander
Robert Alexander
Liviu Ciulei
Peter Zeisler
After Words
The Zelda Fichandler Award
The Beginning
A Permanent Classical Repertory Theater in the Nation's Capital
Acknowledgments
Index.