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Representing euthanasia, reclaiming popular culture
Heteroglossia from Grimmelshausen to the Grimm brothers
The dwarf and Nazi body politics
Oskar's dysfunctional family and gender politics
Oskar as fool, harlequin, and trickster, and the politics of sanity
Gypsies, the picaresque novel, and the politics of social integration
Epilogue: beyond Die Blechtrommel: Germans as victims in Im Krebsgang.

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