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Gender, subjectivity, and cultural critique from the fin de siecle to fascism
The post-1945 crisis of enlightenment and the emergence of the "other" sex
Challenging masculine subjectivity : Ingeborg Bachmann's Malina
From his point of view : Max Frisch's Mein Name sei Gantenbein
The critique of instrumental reason : Max Frisch's Homo Faber and Christa Wolf's Storfall
Pathologies : Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre
End visions : Heiner Muller's Die Hamletmaschine and Christa Wolf's Kassandra
Beyond the impasse? : Barbara Kohler's "Elektra. Spiegelungen".
The post-1945 crisis of enlightenment and the emergence of the "other" sex
Challenging masculine subjectivity : Ingeborg Bachmann's Malina
From his point of view : Max Frisch's Mein Name sei Gantenbein
The critique of instrumental reason : Max Frisch's Homo Faber and Christa Wolf's Storfall
Pathologies : Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre
End visions : Heiner Muller's Die Hamletmaschine and Christa Wolf's Kassandra
Beyond the impasse? : Barbara Kohler's "Elektra. Spiegelungen".