A critical companion to Jane Campion / edited by Elsa Colombani, Eurydice Da Silva.

Vestigial remains : queens of the garden, angels of the house, and dutiful daughters in Jane Campion's Sweetie, An angel at my table, and Holy smoke! / Sue Matheson
Gendered spaces in Jane Campion's Top of the lake and Top of the lake: China girl : female oppression and neutral community / Laura Benoît
Poetic textures, Jane Campion's interrogation of gendered notions of creativity in Bright star / Anna Baccanti
The feminine sublime in the work of Jane Campion / Helen Richardson
Staging desire in Jane Campion's Portrait of a lady / Gilles Menelgado
Perspective, dismemberment, and editing in In the cut / Wendy Haslem
The mutability of the male body in the Piano (1993), Bright star (2009) and the Power of the dog (2021) / Ian Murphy
Opening her third eye : Jane Campion's auteurial films during the post-Cold War decade / Catherine Cottle
Antipodean multiplicities : hypotext and influence in Jane Campion's Dancing daze and Two friends / Blythe S Worthy
Voiceless in the trees : postcolonial memory and the gothic in Jane Campion's Sweetie / Michael Modarelli
The power of playing with genre : the Western gothic melodrama in Jane Campion's the Power of the dog / Hervé Meyer.