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Table of Contents
Front Cover
Half-Title Page
Editorial Advisory Board
Title Page
Copyright Page
About the Publisher
Table of Contents
List of Figures
Acknowledgements
Foreword
Introduction
In Plenitudes: Reading Refugee Narratives
Origins and Orientations: Implicated Subjects and Citizen-Viewers
Looking and Framing: Thinking through Refugee Comics
Graphic Refuge: Reading Refugee Refusals
Overview of Chapters
Part 1: The Sea and the Camp
Chapter One: Clandestine Crossings: Refugee Comics at Sea
Introduction: Clandestine Crossings
Ways of Sea-ing on the Mediterranean
Graphic Narrative as Counterforensics: Joe Sacco's "The Unwanted"
Refugee Comics at Sea: PositiveNegatives' "A Perilous Journey" and "An Empty Promise"
Haunting Histories: Jeff Pourquié and Taina Tervonen's Who Profits from Exile?
Conclusion: Learning to Listen
Chapter Two: The Postdocumentary Turn: Refugee Camp Comics
Introduction: Refugee Camps and Refugeeness
Refugee Camps as Neocolonial Spaces
Documenting the Camp: Don Brown's The Unwanted: Stories of the Syrian Refugees
The Postdocumentary Turn: Olivier Kugler's Escaping Wars and Waves
Conclusion: The Paradox of Refusal
Part 2: Visual Technologies
Chapter Three: Unknown Knowns: Refugee Comics and the War on Terror
Introduction: The Johari Window
The Aesthetics of Equipment: Sarah Glidden's Rolling Blackouts
The Theatre of Journalism: Dan's Story
Refugee Refusals: Sam's Story
Conclusion: Unknown Knowns
Chapter Four: Digital Humanitarianism: Interactive Refugee Comics
Introduction: Haptic Experiences and Digital Witnessing
Interactive Refugee Comics: Definitions and Scope
Moving through Ruins: Jasper Rietman's Exodus
Subjective Vision and Intimate Voice: Sea Prayer
Conclusion: "Tech for Good" and Humanitarian Infrastructures
Part 3: Ruins and Refuge
Chapter Five: Remote Sensing: Refugee Comics in Ruins
Introduction: The World Target
Distant Looking: "Syria's Climate Conflict" and East of Aleppo
The Fabric of War: Hamid Sulaiman's Freedom Hospital
Breaking and Making Home: The Battle for Home and Brothers of the Gun
Conclusion: Remote Sensing
Chapter Six: Diasporic Displacements: Second-Generation Refugee Comics
Introduction: Critical Refugee Studies and Intergenerational Memory
The Diasporic Frames of Leila Abdelrazaq's Baddawi
Housing Memories in Thi Bui's The Best We Could Do
Suburban Refugeetude and the Hyperghetto in Matt Huynh's "Cabramatta"
Conclusion: Refugee Pluralities
Epilogue
Bibliography
Copyright Acknowledgements
Index
Half-Title Page
Editorial Advisory Board
Title Page
Copyright Page
About the Publisher
Table of Contents
List of Figures
Acknowledgements
Foreword
Introduction
In Plenitudes: Reading Refugee Narratives
Origins and Orientations: Implicated Subjects and Citizen-Viewers
Looking and Framing: Thinking through Refugee Comics
Graphic Refuge: Reading Refugee Refusals
Overview of Chapters
Part 1: The Sea and the Camp
Chapter One: Clandestine Crossings: Refugee Comics at Sea
Introduction: Clandestine Crossings
Ways of Sea-ing on the Mediterranean
Graphic Narrative as Counterforensics: Joe Sacco's "The Unwanted"
Refugee Comics at Sea: PositiveNegatives' "A Perilous Journey" and "An Empty Promise"
Haunting Histories: Jeff Pourquié and Taina Tervonen's Who Profits from Exile?
Conclusion: Learning to Listen
Chapter Two: The Postdocumentary Turn: Refugee Camp Comics
Introduction: Refugee Camps and Refugeeness
Refugee Camps as Neocolonial Spaces
Documenting the Camp: Don Brown's The Unwanted: Stories of the Syrian Refugees
The Postdocumentary Turn: Olivier Kugler's Escaping Wars and Waves
Conclusion: The Paradox of Refusal
Part 2: Visual Technologies
Chapter Three: Unknown Knowns: Refugee Comics and the War on Terror
Introduction: The Johari Window
The Aesthetics of Equipment: Sarah Glidden's Rolling Blackouts
The Theatre of Journalism: Dan's Story
Refugee Refusals: Sam's Story
Conclusion: Unknown Knowns
Chapter Four: Digital Humanitarianism: Interactive Refugee Comics
Introduction: Haptic Experiences and Digital Witnessing
Interactive Refugee Comics: Definitions and Scope
Moving through Ruins: Jasper Rietman's Exodus
Subjective Vision and Intimate Voice: Sea Prayer
Conclusion: "Tech for Good" and Humanitarian Infrastructures
Part 3: Ruins and Refuge
Chapter Five: Remote Sensing: Refugee Comics in Ruins
Introduction: The World Target
Distant Looking: "Syria's Climate Conflict" and East of Aleppo
The Fabric of War: Hamid Sulaiman's Freedom Hospital
Breaking and Making Home: The Battle for Home and Brothers of the Gun
Conclusion: Remote Sensing
Chapter Six: Diasporic Displacements: Second-Generation Refugee Comics
Introduction: Critical Refugee Studies and Intergenerational Memory
The Diasporic Frames of Leila Abdelrazaq's Baddawi
Housing Memories in Thi Bui's The Best We Could Do
Suburban Refugeetude and the Hyperghetto in Matt Huynh's "Cabramatta"
Conclusion: Refugee Pluralities
Epilogue
Bibliography
Copyright Acknowledgements
Index