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THE INTERACTIVE DOCUMENTARY IN CANADA
Title
Copyright
Dedication
CONTENTS
Figures
Acknowledgments
Introduction - The Interactive Documentary in Canada
Part 1 Technology, Innovation, Experimentation: Histories and Case Studies of I-Doc Production and Exhibition in Canada
1 The National Film Board of Canada's Digital Studio: An Oral History
2 Notes on Impact: The Case of the Interactive Documentary GDP
3 Fort McMoney: The Challenge of Maintaining Interactive Documentary
4 Viewfinders: Exploring Travelling and Landscapes via Augmented Reality
5 Always Already Old: Looking Back with the Korsakow System
6 I-Docs and Live Performance: Highrise: Universe Within at Hot Docs
Part 2 Encounters with Others: Activism, Agency, and Ethics
7 Collaborative Encounters: I-Docs and Environmental Pedagogy in and beyond the Classroom
8 Thinking in Networks: The Interactive Documentary as a Tool for Social Change
9 Interactivity as Ethical Encounter in The Space We Hold
10 Fish Love: Digital Technology and Passivity in Nettie Wild's Uninterrupted
11 Playing with Extreme Oil: Slow Catastrophe and the Melancholic Imaginary in Offshore and Fort McMoney
Part 3 Image and Sound beyond "the Real": Media Pasts, Presents, and Futures
12 Nostalgia, "Old" Media, and Welcome to Pine Point
13 Acoustic Profiling in Hogan's Alley: Mapping Intersectional Soundways in the Lost Vancouver Neighbourhood of Stan Douglas's ios app Circa 1948
14 A Journal of Insomnia: The Individualization of Sleep in a Wired World
15 Going Deep: Hybrid Capture in Documentary
16 Indigenous Futurism and the Immersive Worlding of Inherent Rights, Vision Rights, 2167, and Biidaaban: First Light
Afterword - On the Outside Looking In: Perspective on the New Media Documentary in Canada
Contributors
Index.
THE INTERACTIVE DOCUMENTARY IN CANADA
Title
Copyright
Dedication
CONTENTS
Figures
Acknowledgments
Introduction - The Interactive Documentary in Canada
Part 1 Technology, Innovation, Experimentation: Histories and Case Studies of I-Doc Production and Exhibition in Canada
1 The National Film Board of Canada's Digital Studio: An Oral History
2 Notes on Impact: The Case of the Interactive Documentary GDP
3 Fort McMoney: The Challenge of Maintaining Interactive Documentary
4 Viewfinders: Exploring Travelling and Landscapes via Augmented Reality
5 Always Already Old: Looking Back with the Korsakow System
6 I-Docs and Live Performance: Highrise: Universe Within at Hot Docs
Part 2 Encounters with Others: Activism, Agency, and Ethics
7 Collaborative Encounters: I-Docs and Environmental Pedagogy in and beyond the Classroom
8 Thinking in Networks: The Interactive Documentary as a Tool for Social Change
9 Interactivity as Ethical Encounter in The Space We Hold
10 Fish Love: Digital Technology and Passivity in Nettie Wild's Uninterrupted
11 Playing with Extreme Oil: Slow Catastrophe and the Melancholic Imaginary in Offshore and Fort McMoney
Part 3 Image and Sound beyond "the Real": Media Pasts, Presents, and Futures
12 Nostalgia, "Old" Media, and Welcome to Pine Point
13 Acoustic Profiling in Hogan's Alley: Mapping Intersectional Soundways in the Lost Vancouver Neighbourhood of Stan Douglas's ios app Circa 1948
14 A Journal of Insomnia: The Individualization of Sleep in a Wired World
15 Going Deep: Hybrid Capture in Documentary
16 Indigenous Futurism and the Immersive Worlding of Inherent Rights, Vision Rights, 2167, and Biidaaban: First Light
Afterword - On the Outside Looking In: Perspective on the New Media Documentary in Canada
Contributors
Index.